Assorted Entanglements, Volume 4

June 7th, 2024

A woman in sweatsuit and a girl in a school uniform sit close in a classroom as the sunset turns golden in the windows.by Matt Marcus, Staff Writer

In the previous volume of Assorted Entanglements, a new couple joined our problematic posse with the 3rd year high school student Sugimoto and her perpetually maidenless gym teacher, Kujou. Everybody else is still on their normal bullshit.

Assorted Entanglements Volume 4, brings something that was sorely needed to the series: character development. No, really! The series up to this point was content with short four-page chapters that loosely hung together but were mostly setups for gags. About a third of the way through this volume, Mikanuji-sensei starts writing longer chapters that expound more on the girls’ histories and their evolving connections to each other. It’s something that I would not have explicitly asked for, but it greatly benefits the whole package.

Minami has a flashback to the time she spent with Shizuku after getting out of the child services facility, which prompts a crisis of confidence. Nevertheless, she continues to think only of Iori and how she might leave her someday. After another open-handed peptalk from her older lover [sigh], Iori admits that she is a terrible person (true!), but she says that they would not have met if either one of them were normal. It’s almost touching!

Elsewhere in the city, a meaningless spat between Shizuku and Saori* leads to the two girls not talking for some time. Shizuku, never one to be fully honest with herself, finds herself feeling lonely enough that she goes out of her way to patch things up by laying out her point of view for Saori: that she is a fundamentally broken person who cannot relate to “normal” people, and thus despises them. Saori accepts this, finding common cause as maladjusted girls with twisted, unfulfillable loves. It’s kind of endearing!

Kujou’s girlfriend quest hits a snag as she gets a harsh dressing down from the cantankerous manager of the lesbian bar. Sugimoto is still trying to push her along, her last act in the volume being to offer her teacher an aquarium date as a “girlfriend test” (we all knew this was coming). We do find out in a bonus chapter that Sugimoto found the gig at the maid cafe after finding herself too gripped with panic to deal with the social stressors at school, and that seeing Kujou outside the bar everyday gave her the motivation to go back to class. It’s nearly sweet!

While all the other couples are angsting it up, Heke-san and Shinohara are still slowly circling towards each other like a binary star system. They are still the most wholesome couple here. It’s refreshing!

You may be detecting a theme here. With some space to stretch out, Mikanuji-sensei is able to add more contour to the characters and, despite all of my kvetching and faint praise, there is a core here that I do indeed like about this series. It’s still a hard recommend, but if you’ve stuck it out through three volumes already this one is worth picking up; it’s the best the series has been so far.

Art – 7 No major changes here, but Shizuku does give one the best “silent seething rage” faces I’ve seen put to page
Story – 8 It’s not going to win an Eisner but at least it’s trying
Characters – 7 Everyone’s schtick is firmly established here, yet there is some growth
Service – 2 Points are mostly for Minami’s tattoos
Yuri – 9 / LGBTQ – 9 Kujou gets a lesbian dating app

Overall – 8 Normality is overrated

Volume 5 of this ensemble story of Sapphic misfits is coming our way in June.

*I hadn’t noticed until recently that while the localization by Eleanor Ruth Summers has been excellent, Iori’s sister’s name has ping-ponged between Shiori and Saori throughout the series, even within the same volume. It’s an odd editing miss. Either may be technically correct, but after some discussion in the discord we have decided to go with Saori.

Matt Marcus is a serial enthusiast whose range of appreciations include guitars, watches, and a particular genre of Japanese popular media named after a flower. Outside of writing for Okazu, he cohosts various projects on the Pitch Drop Podcast Network, where he frequently bloviates about video games, anime, and manga. He also hosts a blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.



Comic Yuri Hime June 2024 (コミック百合姫2024年6月号)

June 6th, 2024

From within an ornate gold frame on a dark green background, two girls in dark red school uniforms with whit collars look up and out from a window into a rainy garden.Teenager angst is such a staple of fantasy literature that we don’t really question is any more. We all know that been an adolescent is fraught, (complicated, unnerving and frustrating) as well as full of unknown excitement and opportunity. So of course it’s a fertile area for queer and queer-adjacent works to suggest alternatives to this reality. Comic Yuri Hime, June 2024 (コミック百合姫2024年6月号) begins with one such new story.  “Genjitsu Sekai Demo Shiawasenishite Kudasai Ne?” follows Machino, a girl who is deeply, obsessively a fan of manga. When the president of the manga club introduces her to an Isekai game in which she can play the love routes as a girl or a guy, she falls hard.  She plays the game over and over, playing all the routes as a girl. When the princess appears in her room one night and confesses to her, things are (clearly) gonna get wacky.

This is followed by Gakeppuchi Reijou ha Kuro Kishi-sama o Horesasetai!” in which a hapless princess is trying to find the way to her heartless Black Knight fiancee’s heart through…food. A time-honored strategy.

Shiho *finally* has her come-to-god moment! It’s really about time, She’s just been so intolerable. Now she’s merely annoying in a totally normal way, in Takeshima Eku’s “Sasayakuyouni Koi wo Uta.” In case you’re watching the anime and wondering if she ever gets less appalling Yes, eventually.

Still REALLY liking “Salvia no Bouquet” with its focus on finding joy and sharing emotional bonds through magic. There is a lot of fntasy in the magazine right now, as I have pointed out, so it’s good that some of it is…nice.

I have a lot of big feelings about “Watashi no Yuri ha Oshigoto Desu!” by Miman. Kanako has come to some important conclusions for herself but in doing so, has still forgotten that Sumika is on her own journey. I am  – as I have been all along – hoping that the to of them can be sisters to one another in a supportive way.

In “Odoriba ni Skirt gag Naru,” Shion is finally given space to think about her relationship with Kiki. My hope for them is that they lean into a friendship based on healthy competition.

Kodama Naoko’s “Utsotsuki Hanayome to Dousei Kekkon-ron” is moving into it’s “crisis because we can’t have a conversation” phase. I’m sure all will be well, since as dark and bitter as her set-ups are, they tend toward fluffy endings.

Ciel  rips her father a new one in “Kiraware Majoureijou to Dansou Ouji no Kon’yaku” as a distraction (and confession) while the rest of the cast tries to figure out some clues to the dozen or so secrets laying around the story.

In “Ooto Gohan Wo Gossho Ni” food is bought and then prepared and eaten outside. Please the gods this story never develops a plot. It’s fine just the way it is!

“Watashi no Oshi ha Akuyaku Reijo.” gives a Rae, Lily and Claire working for the Crown, but maybe against their fathers? and the infamous Mito Koumon reference, which I am pleased to note makes this the second Yuri manga to reference this series. ^_^

I have no idea where “Gan no Hime” is going, but I guess I’m okay with wherever it is. As basically the only scifi in the magazine right now, it is carrying a lot of weight for me.

And also of interest to me was this moth’s film review which took a look at Sakura no Sono – a 2008 remake of an earlier 1990 movie of the same name that I reviewed based on a manga by Yoshida Akimi, creator of BL classics Banana Fish and Lover’s Kiss.  Katherine Hanson reviewed the manga for Okazu,  I really enjoyed this movie when I watched and reviewed it in 2013, so click the link above to read my thoughts. ^_^

As always there’s a lot I read, but didn’t mention, or just didn’t read, but flipping through, I am reminded that I’m reading about half the stories here and enjoying most of those – and of those, I am enjoying very much, so that’s an excellent percentage.

Ratings:

Overall – 9

I’m back on my normal schedule now, reviewing one volume of Comic Yuri Hime just as the next comes in to the bookstore. It was nice being ahead for a month or two! ^_^ The July issue is on Japanese bookstore shelves now and, once again, waiting for me at Kinokuniya.



23.5: The Series

June 5th, 2024

by Frank Hecker, Staff Writer

The Thai company GMMTV is a BL powerhouse, with eight live-action BL series aired in 2023 and a staggering fifteen BL productions scheduled for 2024. Thus it was major news when GMMTV took note of the success of GAP: The Series and created their first yuri series, 23.5 (airing on either Youtube or Netflix depending on the region).

In creating 23.5 GMMTV generally played it safe, with a high school setting, a plot element (mistaken identity) that was centuries old when Shakespeare used it, the classic pairing of a short brown-haired extrovert with a tall black-haired introvert, and two actors (Milk Pansa Vosbein and Love Pattranite Limpatiyakorn) who had displayed good chemistry as a side couple in GMMTV BL series. However, GMMTV did show some confidence in the appeal of a yuri work: A popular pair of BL actors was rumored to be included as a side or even second primary couple, but GMMTV apparently decided that “MilkLove” would be able to carry the show without such help. GMMTV also chose an out lesbian (Fon Kanittha Kwunyoo) to direct. These both proved to be wise choices.

The astronomically-themed 23.5 (after the tilt in the Earth’s axis) is set at S-TAR Academy (“S-TAR” = “star,” get it?), which the shy and gawky Ongsa joins as a transfer student. She finds herself attracted to Sun, one of the most popular girls in the school, and reaches out to her over social media using the pseudonym “Earth.” Their online relationship quickly blossoms, but not without complications: Sun wonders when Earth (whom she assumes is a boy) will ever meet her in person, while Ongsa tortures herself over whether and how to end the charade and tell Sun her feelings face to face. Those familiar with mistaken identity romances know how this will end, but the journey on the way is quite enjoyable, thanks in large part to the central couple. As portrayed by Love, Sun is one of the most adorable and charming love interests ever to grace this solar system, while Milk’s Ongsa is completely endearing as she veers from giddy infatuation to agonized embarrassment.

23.5 is worth watching just for them alone, but as usual there are some side couples as well. The most prominent other yuri pairing features View Benyapa Jeenprasom as Ongsa’s introverted and UFO-obsessed cousin Aylin (“Aylin” = “alien,” get it?) with Luna (portrayed by June Wanwimol Jaenasavamethee) as a “manut” (human) intrigued enough to want to get to know her better. View’s portrayal of Aylin, who’s clearly intended to be read as neurodivergent, may be a questionable aspect of the show for some. I’ll leave it to others to assess how realistic her character is, but for much of the series the only direction given to View seems to have been “look straight ahead and talk like a robot.” However, later in the series Aylin opens up a bit in response to Luna’s offer of friendship and View can portray a wider range of emotions.

There are other positive aspects to 23.5: there’s a quasi-BL side plot involving a character who wouldn’t normally be featured in a conventional BL series, and another side plot involving the students’ teachers that’s notable among Thai series for featuring trans women in roles not limited to comic relief. As befits an experienced production company, other aspects of the series are generally competent, including the English subtitles. However, the writing can occasionally get overly saccharine or stray into “special episode” territory (as in the Aylin subplot, which at times treats her as a problem to be solved rather than a person to be respected).

Despite my quibbles, I can recommend 23.5 as a solid and satisfying first entry by GMMTV into the yuri genre, with Milk and Love (along with Faye and Yoko of Blank: The Series) poised to rival Freen and Becky as the next hot yuri pairing. I hope GMMTV will see fit to give them starring roles in another yuri series, and in particular will let Milk and Love be the adults they are; as anyone who’s seen her modeling photos can attest, Milk in particular would be stunning as a glamorous and sophisticated older character.

Rating:

Story – 6
Characters – 8
Production – 7
Service – 3 (Ongsa in a traditional Thai outfit)
Yuri – 8
Overall – 8



Cheerful Amnesia, Volume 2

June 3rd, 2024

A woman with short dark hair in onsen yukata stands open-mouthed and blushing at us, as a cheerfully gaping woman also in yukata with long brown hair stands behind her.In a review of Spy Classroom: A Glint In Monika’s Eye, Sean Gaffney said, “Generally speaking a large chunk of fiction, especially fiction written for drama and starring teenagers, revolves around one major problem: the entire plot would not happen if only the characters would communicate with each other.”

To which I replied to the universe at large as I began reading Cheerful Amnesia, Volume 2, “Not just teenagers.”

In Volume 1, we met Arisa, a woman newly aware after amnesia and her long-time love Mari, who is struggling with this new, oddly clueless girlfriend. In Volume 2 of Cheerful Amnesia, by Tamamushi Oku (also creator of I Don’t Know Which Is Love), the struggle continues, getting ever stupider and needing more and more imagining ridiculous complications by all parties to make it make any sense.

Dear readers, it never makes any sense.

It’s so senseless in fact that I considered just stopping midway this volume, as two adult women who share a home and a bed and mealtimes and all non-working hours of the day who just *cannot* find time to discuss their relationship after one of them had amnesia, was impossible to accept. It did prompt me to promise my wife of 41 years that if ever either of us had amnesia to just start from the beginning and not be like Mari.

Arisa I can kind of, almost forgive. In some ways she is a child again, relearning some things about life. There is no excuse for Mari, though. Imagining insane complicated nonsense instead of just asking “what are you doing?” is not funny. It’s deranged.

What is meant to be comedic but I found intolerable, was that they both want each other. They already live together and are lovers. There was literally nothing standing in their way, except a tortured plot device that screamed for help from every panel.

Thankfully, before this volume ended they have a fucking conversation. But they still don’t have sex. How hilarious. Will a conversation be enough to save the story? I guess we’ll find out as a copy of Volume 3 has landed on my doorstep and awaits reading. ^_^;

Ratings:

Art – 7 Noticably better than the first volume
Story – Maybe it will be better next volume
Characters – They are adults who need to grow up already
Service – Nudity should not be gasp-making, but amnesia, so it is
Yuri – 9

Overall – 7

If pointlessly unresolved sexual tension as comedy is your thing, then this series ought to tickle you pink. Jen McKeon’s translation does good work with Arisa’s endless cheerful cluelessness and Mari’s unshakable ability to guess wrong about mostly everything. Chiho Christie’s letter manages to retouch as often as possible, and uses a lot of bold, as Arisa….heavy sigh…shouts…almost every other page.

Fingers crossed that next volume moves forward a bit.



Yuri Network News – (百合ネットワークニュース) – June 1, 2024

June 1st, 2024

In black block letters, YNN Yuri Network News. On the left, in black silhouette, a woman with a broad brim hat and dress stands, a woman in a tight outfit sits against the Y. Art by Mari Kurisato for OkazuI am returned from a much-needed vacation in which I managed to do everything I wanted to – including meeting some Okazu staff and friends in London! We had a blast, thanks Ashley and Luce, Adam and Roo for coming in to chat. It was a delight to see you all. ^_^

Just like that it is June, so Happy Pride month!  Once again, I exhort you all to celebrate aggressively, persistently and publicly – fly every flag you have and insist on being proud of yourself. Those people who seek to silence one group will always come after all of us eventually, so protect others, be kind and be loud!

We have a couple of pride month wishes from beloved creators here. She Loves To Cook And She Loves To Eat creator Sakaomi Yuzaki has shared Nomoto and Kasuga celebrating Pride extremely gayly. ^_^

I’m In Love With The Villainess creator inori. has also shared Rae and Relaire wishing us a happy Pride!

Hanakage Alt has posted a wish for marriage equality in Japan today for a favorite Vtuber.

 

 
By Your Side Birthday Sale

This month is also the 2nd birthday of By Your Side: The First 100 Years Of Yuri Anime And Manga! I am running a limited-time special sale on direct purchases from me, with signed bookplate, and a print of either the front or back cover art by Rica Takashima. Fress shipping in the lower 48 US states, but contact me and we’ll work something out for your location.

 

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Yuri Manga

Viz is continuing to carve and important Josei niche with the license of Pink Candy Kiss, by Ami Uozumi, to be released Spring 2025. Thanks to Sr. YNN Correspondent Sean G for that catch!

Via YNN Correspondent Matt Marcus, Shoujo Crave on Twitter posted that the creator of Sono Uruwashiki Hito ha (そのうるわしきひとは、) Mame Zakana, has confirmed that this is a Yuri title – the first to run in Hana to Yume magazine in decades.

I cannot conjecture why, but Fantia, Toranoana’s crowdfunding site is no longer accepting Mastercard and Visa, so if you are outside of Japan, you will be getting frantic emails to change your payment scheme to Amex or Diners Club (eyeroll). I have switched to Galette magazine’s Pixiv Fanbox, which I am not entirely thrilled about, but that puts all the folks I follow and support on one system, so yay, I guess. Do yourself a favor and make sure you’ve got your copies of No. 30 and the 4th illustration book first.

Via YNN Senior Correspondent Ashley, Baka Onna 26 o’clock, Volume 1 (バカ女26時 1) is like GUNJO, ” without guilt (or forethought).” Two women kills their husbands and take to the road! Hopefully we’ll be getting a review soon.

ANN’s Anita Tai reports that Kodansha has bought Wani Books. I wonder if we’ll see a new edition of Ikkitousen,  but I bet we won’t see an English language edition of  anytime soon. ^_^

 

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Yuri Events

Girls Love Fest 41 is happening on June 30, back at the Pio building. Via Sr. YNN Correspondent Sean there will be a Spy Girls-only section.

I will be a guest once again at AnimeNYC in August, in NYC! I’m running a panel on the “Rise of Queer Manga” with some fantastic panelists, so definitely drop in and see me in the artist alley. I’ll be next to my pal Zack Davisson.

I’m also a guest at two online BL cons this summer. At Brazil’s BlymeCon, I’ll be presenting my popular “Secret” History of Yao and Yuri panel, which will be pre-recorded so they can subtitle the presentation and me answering some questions in Portugese. I’ll be there to take questions, if we have time.

I’ll also be returning to CitrusCon (which I will probably be doing from AnimeNYC….!) where I will doing a new presentation on Queer Manga as well.

 

If you’d like to support Yuri journalism and research, Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2024, is to raise our guest writers’ wages to above industry standard, which are too low!

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