Takarazuka’s Castlevania: Awakening Under The Moon

December 28th, 2025

Title card of Takarazuka Flower troupe's Castlevania Awakening Under The Moon on the left, with stars Sea Towaki as Alucard and Misaki Hoshizora as Maria on the right. Both dressed in blue. Alucard in an elaborate 18th century coat and vest, Maria in a dress with a silver ribbon on her left hip.Thanks to Alicia Haddick’s post on Bluesky, we were made aware that Takarazuka was once again doing a video on demand for one of their musical performances, with subtitles. Castlevania: Awakening Under The Moon was performed by the Flower Troupe, starring Sea Towaki as Alucard and Misaki Hoshizora as Maria.

My only experience with Castlevania (other than general knowledge absorbed by osmosis from fandom) were the two Castlevania series on Netflix. The first series, Castlevania, had surprise lesbians so it got a review here on Okazu. The second series, Castlevania Nocturne was mostly just blood and gore, so I stopped watching. 

But! I will never turn down a Takarazuka challenge. My wife and I were discussing some of the shows we’ve watched that were not…great…. A few were unengaging enough that I never reviewed them and at least one – starring a very famous Top Star pair – was horrifying. But, generally I find Takarazuka enjoyable enough, even though I must carry a handkerchief to cover my mouth when I inevitably start laughing uncontrollably at some small absurdity. I tell you all of this in sincerity – I am not a True Fan (TM). I just enjoy the kitschiness. So if you are a True Fan (TM) of either Castlevania or Takarazuka, perhaps skip this review. Thank you for your understanding. 

Castlevania: Awakening Under The Moon follows the adventures of Alucard, Dracula’s prodigal half-human, half-vampire son, some years after he has killed Dracula, who has risen again and is still set on revenge against the humans who killed his human wife, Lisa…despite the fact that her final words were to not hate humans. 

The story takes an interesting turn when the vampires hijack the French Revolution for their own needs. In the meantime, Richter Belmont (Seino Asuka) and Maria are fighting vampires and Alucard is saving people from vampires for his own reasons.  It made sense and really did not make sense, but I liked it.  Why French Revolution when vampires are a Eastern European thing? No idea, roll with it.

My favorite scene is a flashback to an incredibly creepy ass village where gormless villagers are celebrating the return of their beloved dead with a very sticky song that leads to a predictable influx of vampires . The whole scene is absolutely creeptastic in that way that only isolated villagers and their bizarre rituals can be.*

Aside from that one song, none of the other songs were memorable, and “that one song that will be the repetition of the word ‘love’ over and over” is clearly part of the revue portion, which was not included with this VOD performance.

A couple of other notes. Most of the lead otokoyaku costuming gave the main characters long hair, which made Alucard and Richter and others look prettier than the usual Takarazuka “short” cut. And Kizuki Yuuma looked *amazing* as a bearded Dracula. Hot as blazes. I wish the Dracul character had been allowed to be the bad guy….but sadly no, he was turned into a character of pathos. The story inserts a shadow priest-like figure, “Shaft” who is the Zirconia to Dracula’s Queen Nehelenia. I *did* like the Church being full of vampires right from the outset. Yep. Check.

If you have never have had a chance to see a Takarazuka show, this is a fantastic opportunity. The online ticket was only $15.20 USD, a tenth of what a live performance ticket might run you (not including the flight to get to Japan). It’s full of exactly the kind of wonderful staging**, expository songs and over much acting, costuming and dancing that makes Takarazuka a fun experience. You’ll need a Windows browser on a PC or Safari on a Mac to watch the video, but the quality was good, the subtitles worked fine in English and the whole procedure was much more simple than I expected. This video will be available through the end of March.

Whether you’re a fan of Castlevania or Dracula/vampires*** in general, or Japanese all-female musical revues or just want to see what all the fuss is about and get a better grasp of series like Kageki Shoujo, Revue Starlight and the upcoming Scenes From Awajima, grab a ticket to Takarazuka Flower Troupe’s Castlevania: Awakening Under The Moon.

Ratings:

Music – 6 It was kinda stodgy
Story – 9 – All kinds of ridiculous and messy
Characters – 9 Hard to dislike anyone other than the priests, really
Staging – 9 It’s always super fun

Overall – 8

We all know vampires instill fear
But the real horror is Robespierre
Bloodthirsty undead may scare
Of gormless villagers beware
Real monsters are the humans who are near

* I recently read two books for ANN about this very thing, About A Place In The Kinki Region and Divine Incursions, both out from Yen Press, both super good creepy folklore-horror, if you like this kind of thing.

** So there is one weird scene, using the screens in the back of the stage as Alucard and Maria fly to Dracula’s reverse castle, where Maria begins to fall and – quite randomly, I thought – plummets towards her death, but is saved by Alucard, of course. I couldn’t stop laughing because wtf? Why? It was so random.

*** If you like Takarazuka doing vampires I highly recommend Poe no Ichizoku, which I reviewed in 2019. That was swell.



Yuri Network News – (百合ネットワークニュース) – December 27, 2025

December 27th, 2025

In black block letters, YNN Yuri Network News. On the left, in black silhouette, a woman with a broad brim hat and dress stands, a woman in a tight outfit sits against the Y. Art by Mari Kurisato for OkazuHappy Last Yuri Network News of 2025! It’s been a lot of a year for all of us, bu we’ve been pretty blessed on the Yuri front. As I look into my Yuri crystal ball, I can say this with absolute conviction…2026 and 2027 are going to be amazing years for Yuri. Most importantly, while we have Yuri art and stories, and our own lives filled with joy, we have hope. Here on Okazu, where everyone is welcome, we will continue to bring you Yuri news and reviews every week.  Let’s get into this week’s Yuri news!

Yuri Manga

Via YNN Correspondent Mang’albine, inee’s Love Bullet is licensed for release in France, notably not from one of the usual suspects, a company called éditions Vega. Speaking of which inee has announced on her X.com account, that Love Bullet has been nominated in the 2026 rankings for manga we want to see animated.

Via Sr. YNN Correspondent Matt Marcus, Aoto Hibiki has announced a new Yuri series beginning in the March issue of Comic Cune Kono Koi, Ittan Mochikaerasete Itadakimasu (この恋、一旦持ち帰らせていただきます), which is an office love story.

Via her official X account, Chapter 9 of Hitorimi Desu (ひとりみです) Morishima Akiko’s story about older lesbians, was updated today on Comic Walker!

Via Comic Natalie, Arui ha Watashi no Metantei, Volume 1 (或いは、私の名探偵) Dr. Pepperco’s new Yuri series from  Comic Cune about a detective and partner in high school has it’s first collected volume, on sale now. Comic Cune is once again getting very Yuri. ^_^

 

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Yuri VN

YuriEureka’s Kiss the Demiurge is 50% off on Steam. This is “a yuri visual novel about love, delusions, and magic. Follow Minori, a mage tasked with keeping magic a secret, as she investigates a group of delusional girls who mistakenly believe themselves to have magic of their own. Will Minori destroy their magic club, or fall in love?”

Pukari announced on X a new Yuri VN coming next spring, the moody-looking Atara Yoru no Kanojo (可惜夜の彼女). According to the thread, it will be available on a platform called Novel Game Collection(ノベルゲームコレクション).

 

Yuri Light Novel 

Via Sr. YNN Correspondent Sean Gaffney, on X.com Volumes 12 and 13 of  Tensei Oujo to Tensai Reijou no Mahou Kakumei (転生王女と天才令嬢の魔法革命) will be published back to back in January and February in Japan. Volumes 1-8 are available now in English. Volume 9 is headed our way in summer 2026.

 

Yuri Anime

There’s a new trailer up for Kamiina Botan, Yoiheru Sugata wa Yurinohana (上伊那ぼたん、酔へる姿は百合の花) about a person who “gets Yuri” when she gets drunk. Whee.

 

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Live Action 

Via Alicia Haddick on Bluesky, Takarazuka’s Castlevania is available as a video on demand with subtitles on Beyond Live through the end of March. I picked up my ticket for a surprising low $15.20 USD for a 2-week window. I think all of that is very reasonable. Check out the promo on Youtube.

Via SapphicLoner on X, Hulu JP’s live-action drama for Shimura Takako’s Otona ni Nattemo, was the No. 1 ranked Original series on the platform.

 

Other News

Two sad notes today. Via YNN Correspondent Patricia B, Nananan Kiriko, creator of Yuri manga Blue, has passed away at the age of 52.

And via ANN, Kagurasaka Atsushi, creator of Taisho Baseball Girls has also died at age 59.

Via Rebecca Silverman on the ANN Discord, here is a cool-looking (if not cheap) book for those of you doing queer media studies, Queer Narratives in Contemporary American Comics: Gutter Smut (Routledge Studies in Gender, Sexuality, and Comics) by Sandra Cox.

Not Yuri, but my write-up of the Manga Is An Art Of Its Own! at The National Museum of Asian Art – Guimet exhibit is up on ANN and it was an amazing exhibit. I hope you’ll read and comment. ^_^

And my review of Frieren: Beyond Journey’s End Volumes 5-9 is up at ANN as well. Structurally, I think Frieren is a perfect manga. I am so happy to have been given a chance to review this.

Also not Yuri, but utterly delicious: Emily Fajardo wrote a post about having written Scarlet’s last line in May I Ask For One Final Thing? on X and…if you haven’t seen it, you should. ^_^ 

 

Your support for Yuri journalism and research has never been more important. Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2025, is to raise our guest writers’ wages to above industry standard, which are too low!

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The Guy She Was Interested In Wasn’t A Guy At All, Volume 3

December 26th, 2025

On a vivid green background, drawn in black and white, guitar picks flying around as in a high wind, two girls look at us. One, in t-shirt and jeans, holds a guitar, the other in blouse and skirt, their hair and clothes flying wildly.We left Mitsuki and Aya at the end of Volume 2 (which I apparently never reviewed in English, sorry!), becoming closer, in a charmingly awkward way. Because of Mitsuki’s rescue of Aya’s previous relationships, her fashionable friends Mau and Chizuru have not dumped Aya. As a result, Mitsuki has found herself adopted by a bunch of fashionable girls, and Narita, who is the nicest narcissist we’ve ever met. It’s all good, but exhausting for an introvert.

Volume 3 of The Guy She Was Interested In Wasn’t A Guy At All, will encompass the school trip, a music festival, the school festival, exams, and a surprise prom. More importantly, bolstered by Aya and her friends, Volume 3 will give us Mitsuki coming out as the butch she is, in one of the finest comic chapters of the year. ^_^

Sumiko Arai’s manga about two girls bonding over “Dad rock” is absolutely grin-making for this Gen Xer. I don’t have the least bit of nostalgia for the music of the 90’s and 00’s, but I’m enjoying the ongoing soundtrack of this series, and the quiet ways it’s stomping on tropes of coming out in school. 

There are a number of laugh out loud moments as well. “Narita Geographic” make me giggle in Japanese and I was looking forward to reading it again in English. I also just loved the retrospective of Chizuru giving relationship advice without really caring what she said. ^_^

Quick shout out to Brandon Bovia for fantastic lettering.

I imagine that many of use are also following the manga online, so I don’t need to tell you what happens, but I will tell you that Volume 4 will be released in Japan in February and I am ready. In the meantime, it was wonderful that this volume made it in before the end of the year.  This manga is definitely a bright spot in this dark winter. ^_^

Ratings: 

Art – 9
Story – 9
Characters – 9
Service – Yes, Mitsuki in the lesbian uniform of slacks and vest is 100% service
Yuri – 7…8…9…

Overall – 9

We are about to embark on our Okazu Top Yuri list journey and this and a few other titles have been so extraordinary, they will get their own list! Keep your eyes peeled for both lists. ^_^



The Fed-Up Office Lady Wants to Serve the Villainess, Volume 2

December 24th, 2025

Cover of The Fed-Up Office Lady Wants to Serve the Villainess, Volume 2. Pink-haired girl with a sword and blue uniform, holds a girl in a red dress close as it to protect her.In Volume 1 – reviewed here on Okazu by Luce – we met Natori Midori an over-zealous office worker who, in her desire to be needed and appreciated worked herself out of a job. When she finds herself inside the world of her favorite otome game, she ends up working for, and against, the villainess, Lapis. She becomes Lapis’ competent assistant, passing her knowledge of the game off as psychic abilities. Hoever, Natori knows that this will end badly for Lapis, so seeks to work against the story, so Lapis doesn’t die after betraying the game protagonist Diana.

In The Fed-Up Office Lady Wants to Serve the Villainess, Volume 2, by Nekotarou, the plot thickens. Natori, called Natalie in the game, is definitely becoming deeply attached to Lapis, even if she’s ignoring the why. but more concerning than the return affection from Lapis, is the growing jealousy from Diana…and the new attention the Prince is paying Natalie and Lapis. The Prince, it turns out, is rooting for Lapis and her new secretary to figure it all out. 

In a nutshell, this is also the problem. Natori is not very self-aware. We know that because she worked herself to the bone for a company that didn’t value her, and blamed herself for it. We can easily see that Natori and Lapis are developing feelings that are very decidedly romantic…and so can Diana, but Natori is wholly clueless to all of the dynamic within their group. The plot requires this, so we’ll just allow it. But we do have to look forward to a bunch more volumes as Natori convinces herself that it’s not anything real.

Nonetheless! This is actually a cute story. I particularly enjoy Diana’s “anything you can do I can do better” magic. How useful!

Of course, Natori will save Lapis, we know that immediately and it’s never really in question. The story will be a matter of how and when. So far this is a 5-volume series, so we’ll just have to get comfortable with Natori’s low self-esteem and misunderstood emotions and I think I’m okay with just letting it ride. And, somehow I am not tired of villainess stories.  ^_^

Ratings: 

Art – 9
Story – 8
Characters – 8
Service – not really. A little light skinship is all we’re getting now
Yuri – .05 because everyone in this story is going to be dumb for a while , but it is definitely there and definitely the point.^_^ 

Overall – 8 

As villainesses go, Lapis is nowhere near as villainessy as others I have recently enjoyed. But I’ll be happy to see these two figure it all out.



ClaireBell

December 22nd, 2025

Promotion poster for the Thai series ClaireBell. It shows Claire and Bell in bed in their prison cell. Claire is in the upper bed and is handing a red rose to Bell, in the lower bed.by Frank Hecker, Staff Writer

Content warning: This series includes multiple scenes featuring blood, violence, and sexual assault.

Many of the key developments in Thai live-action yuri have been sparked by first-timers taking big chances on new productions. Idol Factory could not find sponsors for GAP: The Series, self-funded it, and then saw it become wildly successful, make stars of Freen Sarocha Chankimha and Rebecca Patricia Armstrong, and kick off a still-growing wave of Thai yuri series. Fan-created Nine Star Studios took a chance on thirty-something Faye Peraya Malisorn and saw her become a star in the age-gap romance Blank. Now actors and first-time producers Mai Davika Hoorne and her husband Ter Chantavit Dhanasevi have taken Thai yuri into new territory with the prison drama ClaireBell, airing uncut on the OneD streaming service and with significant edits on YouTube.

The Bell of ClaireBell is a naïve young woman who celebrates her university graduation at a nightclub with her boyfriend and their friends, has someone stash their drugs in her purse unbeknownst to her, is caught in a police raid, tried for drug dealing, and sent to prison. There she languishes, abandoned by her boyfriend, too ashamed to reach out to her terminally-ill father, and brutalized by the reigning prison gang. She then slowly falls into the orbit of “rabid dog” Claire, a seemingly-psychopathic inmate convicted of the savage murder of a schoolteacher, and finds protection and (ultimately) love in her arms. Meanwhile around them others live out their own lives in prison: Claire’s elderly cellmate sliding into dementia, a corrupt warden and his upright son whom he hires as a guard at his wife’s urging, the “3D” gang of two sisters and a cousin who control the prison’s black market, and Bell’s cellmate, who offers friendship but may want something more.

The first thing to be said about ClaireBell is that it looks and sounds fantastic: Made on a relative shoestring budget of 30-40 million baht (about $1 million US), it has set design, cinematography, and music and sound design comparable to those of “prestige TV” from services like Netflix, HBO Max, or Apple TV. It also has a high level of acting. Newcomers Pangjie Paphavarin Sawasdiwech as Bell and Mable Siriwalee Siriwibool as Claire are joined by a company of veteran Thai actors, some of whom (including Davika and Ter themselves) have been stars and award-winners or nominees in other productions. I’d especially single out Noon Siraphan Wattanajinda as “3D” leader Dao and Belle Kemisara Paladesh as Bell’s cellmate Kae; their struggles for dominance over the inmate hierarchy amid their own personal troubles drive some of the most compelling subplots in the series.

Those who go looking will find various things to critique in ClaireBell: A few of the plot elements, most notably the circumstances behind Claire’s imprisonment, strain credulity. The 8-episode runtime somewhat rushes the development of Claire and Bell’s relationship. Yuri purists may object to the inclusion of heterosexual couplings (including one scene jarringly intercut with a love scene between Claire and Bell.) And, most amusingly, the product placements that helped fund the series cause the action to occasionally pause as Claire and Bell feed each other slices of bread out of a prominently-displayed loaf, enthusiastically consume yogurt or instant ramen, or comment on the softness of each other’s bras.

But quibbles aside, ClaireBell is top-tier television. Among Thai series I’ve watched I would put it next to The Loyal Pin in terms of overall quality, and I think it almost as significant for the continued development of Thai yuri as was the original GAP. Idol Factory has now imploded in an orgy of financial mismanagement and executive and cast resignations, with Freen and Becky leaving to pursue their own paths. Nine Star is struggling for relevance after Faye’s departure under controversial circumstances (did she jump or was she pushed?). In contrast, Davika and Ter seem to be as competent producers as they were actors. I hope their Mine Media production company builds on the success of ClaireBell to create further yuri series whose quality convinces other Thai production houses to up their game.

Ratings:

Story – 8
Characters – 9
Production – 9
Service – 6
Yuri – 10
Overall – 9

ClaireBell offers a touching romance, compelling performances, and interesting stories, all combined in a high-quality production. It‘s strongly recommended for anyone looking for alternatives to the all-too-common fluff or melodrama of many Thai yuri series.

Extra fun fact: Mable Siriwalee Siriwibool, the “Ble” in “Blejie”, has a masters degree in cellular and molecular science for biomedical applications and is the co-author of several scientific papers.