“What if you had the chance to remake the entire world in order to save the person you loveā¦and learned that the world was never what it seemed?” is what I said when I reviewed Watashi no Oshi ha Akuyaku Reijou. Volume 5 (ē§ć®ęØććÆęŖ役令嬢ć) in Japanese. And, now, you have had the chance to read I’m in Love With the Villainess, Volume 5 and can, I hope, understand what I meant. ^_^ I’m still trying to avoid spoilers, as best I can. ^_^
The Nur arc comes to a crashing, sword-waving, magic-using, epic ending, that has shockingly little to do with Nur and Bauer at all. Because Volume 5 is about the Demon Queen and the truth of the world. Basically, if you primarily read isekai, you are probably mostly unprepared for just about anything here, until it all settles down.
As I re-read this volume I am fascinated by the scope of this story, which has implications far beyond this narrative. Will future volumes of the upcoming She’s So Cheeky For A Commoner (which I have reviewed in Japanese, as Heimin no Kuse ni Namaika, Volume 1) – and any series will come after – let these petals fall and be dispersed, or will they float around reminded us over and over of what, exactly, is going on? I look forward to finding out. There was a great deal of territory covered in this volume and repeated visits in future volumes might help to reify it.
Even more broadly, this series does all sorts of interesting things with the concept of “another world.” Like the Locked Tomb series, it is simultaneously both fantasy and science fiction and some new hybrid child of those genres and isekai. AND it contains that single important question that fills so much classic science fiction anime – what does it mean to be human?
Despite all this, this novel never pretends to be be meaningful in that pretentious literary way of very serious men writing about humanity. It is a human look at the power of community. Once again, I must quote myself here, when I wrote, “If you are familiar with Doctor Who, you will entirely understand how everything in this book worksā¦and how it must work. ^_^ This leads to the only criticism, if you can even call it that, I have. Because of that specific narrative structure, there was no way to give it a punchy ending, which was perfectly okay. It ended as it had toā¦and then didnāt end for a few more post-epilogue shorts. When you like your characters, itās hard to let go, I understand completely. ^_^ ”
What I mean to say here is that this ending was the right ending for this book. ^_^ This series ends where it must, with home and family. I have said this about a dozen times recently, but I’ll repeat it – this is what I am looking for these days in the books I read. Future-building with hope…hopepunk, as Ada Palmer calls, it. Stories in which communities come together to build a better tomorrow. The fact that the leaders of this particular community are queer women is delicious icing on this sweet and satisfying narrative cake.
Ratings:
Art ā 9
Story ā 9
Characters ā 10
Service ā Very little, for perfectly good reasons.
Yuri ā 10
Queer ā 10
Overall ā 10
This…was a very good book. I hope you’ll all read it. If you have read it, do let me know what you think in the comments!
