Yuri Network News – (百合ネットワークニュース) – December 21, 2024

December 21st, 2024

In black block letters, YNN Yuri Network News. On the left, in black silhouette, a woman with a broad brim hat and dress stands, a woman in a tight outfit sits against the Y. Art by Mari Kurisato for Okazu

Anime News

While it’s not Yuri in any sense, Magilumiere is a very affirming series about adult women – and it is getting a second season! Alex Mateo has the details on ANN. I’m really pleased by this news, as I look forward to every episode.

Look Back has received a nomination for this year’s Annie Awards. ANN”s Crystalynn Hodgkins has the news. I still haven’t been able to bring myself to watch it. ^_^;

 

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Yuri Manga

Galette WORKS has announced an imminent second English-language Galette Magazine Kickstarter. Click to be notified when it opens.

Yen Press has licensed Convenient Semi-Friend, a sketchy looking roommate story. ^_^

Don’t forget to pre-order She Loves To Cook And She Loves To Eat, Volume 5, which will hit EN shelves in January!

Utatane Yuu’s Odoriba ni Skirt ga Naru, Volume 5 ( 踊り場にスカートが鳴る) hit shelves this week in Japan! It’s love, it’s intense emotion, it’s longing, it’s ballroom dancing!

Volume 1 of Shibori Kazuko’s Genjitsui Sekai Demo Shiawasenishite Kudasai, Ne? (現実世界でも幸せにしてくださいね?) is a reverse isekai story in which characters from a game come to our world to interact with their “hero,” who is a lonely women who actually needs some self-esteem. This series runs in Comic Yuri Hime.

Chapter 3 of Morishima Akiko‘s Hitorime is up on Amazon JP Kindle, and chapter 2 of the English edition of THE SINGLE LIFE: A 60-year old lesbian who is living single and alone, is up on US Kindle.

Via narandearuite on X, for folks who liked the original, a Fragtime Anthology (fragtimeアンソロジー) is in the works.

Akashi, the creator of Still Sick, has a new series with Ichihatsu Yuzuko, Sweet Lime Juice (スイート・ライムジュース) about two women who meet again after years of one-sided dislike. Check out sample pages in Japanese on Kadokawa.

I freely admit I have been paying no attention to Anemone ha Netsu wo Obiru (アネモネは熱を帯びる), but MangaTime Kirara on X says that Volume 8 is out now in Japan! Yen Press has licensed this series as The Anemone Feels The Heat to be released in March 2025.

Yuama, creator of The Summer You Were There, has a new series coming out in Summer 2025, according to their post on X.

 

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Yuri Light Novels

In terrific news, inori,’s fantasy series The Girl Who Wants to Be a Hero and the Girl Who Ought to Be a Hero, Vol. 1 has been licensed by Yen Press. Maybe we’ll get a chance to get the extremely fun acrylic standee I got with my copy of Volume 1 in Japanese, as an extra if we ask Yen nicely. (I spoke about the lack of extras yesterday on Bluesky. There is a market for this stuff, and I hope we get some!)

Via Yuri Navi, Teren Mikami has a new light novel, this time illustrated by Yuri Is My Job‘s Miman, Makemasenkara to Iiharu Kao no Ii Onnanoko o, Zenryoku de Kuppukusaseru Yuri no Ohanashi (負けませんからと言い張る顔のいい女の子を、全力で屈服させる百合のお話), is being debuted at Comiket. The JP Kindle version is available in Japan.

 

Yuri Live Action

Via YNN Correspondent CW, Shandou Yuki’s Call Me By No Name (コールミー・バイ・ノーネーム) is getting a live-action series. I absolutely remember reading this novel, but I never reviewed it here on Okazu.

 

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Other News

Justin Guererro has put together Tools To Get You Started In Webcomics over at KComics Beat.

The KyoAni shop is celebrating 15 years of K-ON! with cute goods.

We end on a somber note today, remembering Takahashi Macoto, who passed away last month. He is one of the folks responsible for our ideal of what Shoujo and Yuri art looks like and creator of proto-Yuri manga, Sakura Namiki. His doll-like girls with sparkles and hearts in their eyse influenced generations of mangaka. Anita Tai on ANN has the news. In 2014, I reviewed an artbook I had picked up in Nakano Mandarake, Akogare – Takahashi Makoto Collection.

 

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The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Volume 8

December 20th, 2024

A young woman with long silver hair in a blue and white dress, sits crowned on a throne, holding a scepter. Behind her, a girl with collar-length blonde hair in a pink outfit looks off to the left.Once upon a time Anisphia Palettia, the Crown Princess despite herself, was concerned that she would one day have to give up her studies into the science of magicology and rule the Kingdom. But that was before she rescued Euphilia, fell in love with her and changed the country forever. Now Euphie reigns as Queen, and Anis is free to pursue her dreams. But nothing is ever that simple. Together Euphie and Anis must find a way to stop a rebellion by the Western aristocracy against the Queen and a possible commoner uprising against the corrupt nobility.

I have never, in my entire life enjoyed a book of people talking over the tedious details of diplomacy and politics as much as I have The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Volume 8, written by Piero Karasu, illustrated by Yuri Kisaragi. I’m not kidding, either. This book has stepped well past the after-happily-ever-after, and even past the let’s-build-the-future of previous volumes, and landed kneed deep in “politics is a quagmire of competing agendas.”

Both Euphie and Anis are enraged at the Western nobles – each on the other’s behalf – and together with their privy council, they must find a way to avoid catastrophe, encourage prosperity and harmony and stick it to the most corrupt of the nobles in a way that both punishes them for their transgressions and gives them an opportunity to redeem themselves. And you know, they do find that way. Whether it will work remains to be seen, but as a strategy, it’s excellent. And…that’s most of this book.

If you have never once thought about how complicated it is to rule a country, this volume will absolutely dump the minutiae of every single frickin’ decision and the unintended consequences of every single frickin’ decision into your lap. I continue to be amazed at this series which would have ended with Euphie ascending the throne in most cases, as it just keeps going and adding layer and layers of the kind of responsibilities a Queen and her advisors might have to face. How do we reconcile with the Academy of Magic? How do we envision a new world of magicology even as we develop tools to make people’s lives better now? How do we manage corrupt nobles before their commoners revolt?

There is one other concern for Euphie and Anis and it’s one they are going to have to face sooner rather than later. Neither of them are truly human anymore. They are keenly aware of that and want to provide for a succession before it becomes a matter of crisis for themselves or the country they love. And they want to be able to spend as much time together as they can, to keep themselves as human as possible, as long as possible.

Because this book is mostly talking heads and policy, the final pages provide a fighting tournament in which we get the fighting tournament equivalent of Anis walking away in slow motion from an exploding building. It’s worth every page of policy discussion to get there. ^_^

Ratings:

Art – Female characters standing, looking pensive, upset or sad. The art makes me pensive, upset and sad.
Story – 9 Really
Characters – 10
Service – Almost none
Yuri – 10

Overall – 9

Let us not forget the entirely eye-opening bitchiness of the former rulers of their kingdom as they cheerfully gossip in the stands of the tournament while Euphie boggles. That was so extremely human.

Volume 9 of  Tensei Oujo to Tensai Reijou no Mahou Kakumei (転生王女と天才令嬢の魔法革命) is out now in Japanese, Volume 10 is on the way in February. In English, Volumes 1-6  of the manga are out now from Yen Press.

Many thanks to Yen Press for a review copy of this volume.

 

 



Amayo no Tsuki, Volume 8 (雨夜の月)

December 19th, 2024

A girl with reddish hair in a green striped button-down shirt sits at a kitchen table eating with a smile. Across from her, a girl wearing a red blouse with her long, dark hair tied back in a ponytail, earnestly leans across the table. Volume 7 of Kuzushiro’s school life drama finished up the school festival arc and, while it had its fair share of maid costumes and cat-eared girls, it also resolved one of Kanon’s lingering akashic ties – her relationship to her former best friend, Ayano. Both young women have changed in the days since they last saw one another and are able to start over once again as friends.

Friends. Because of Saki, Kanon is able to be a better friend to Ayano, and interact with her classmates. Because of Saki, Kanon was able to participate in the school festival. Because of Saki…

In Amayo no Tsuki, Volume 8 (雨夜の月)Kanon is very aware that, while Saki has been there for her, she doesn’t really know her friend the way she would like to. This is new to Kanon. Since she lost her hearing, she’s been very much alone inside her head, but now, Saki makes her want to learn about another person. And, as she thinks about Saki…Kanon realizes that she thinks about Saki a lot. All the time. When the teacher mentions writing for a lover, when she wants to learn how to make macarons, when she hears that Saki has an upcoming recital, but she has not yet been invited. Or when she see’s Saki’s reaction to the news that her former piano teacher will come to the recital. What is that woman to Saki?

Saki, for her part is flailing in exactly the same way. Will Kanon be more upset if she is invited to a recital she cannot hear or not? Why does she immediately think of Kanon when the music she plays is described as being “for a lover.”

The sports festival is coming up, but first Saki has this recital. And when Kanon see Saki in a vintage dress with her hair styled…well, she’s going to have to deal with that, too.

This volume never once retreats from the  complexity of human lives. Yes, both Saki and Kanon, separately, have started to give voice to their feelings, but the business of school and life still goes on. They have obligations, but also take on new responsibilities for their own desire to become whoever they are.  It’s beautiful. I don’t think I have ever rooted for two fictional characters as hard as I root for these two.

Ratings:

Art – 9
Story – 10
Characters – 10
Service – We’ve seen them in yukata and maid outfits with animal ears , so more dress up? Yes.
Yuri – 6

Overall – 10

Volume 6 of The Moon On A Rainy Night is out now (and next on my to-read pile!) from Kodansha. Fireworks! ^_^

 



Arcane: League of Legends, Season 2 on Netflix

December 18th, 2024

Promotional poster for Arcane: League of legends, Season 2. A girl with blue hair looks at us from the bottom of the poster, Her read-haired sister looks to the left from the top of a cast of characters.by Eric P., Guest Reviewer

Back in 2021, a certain animated series called Arcane: League of Legends debuted on Netflix. It made a certain mark, and fans eagerly anticipated the inevitable follow-up in those three years since. The trailer for it dropped, with the announcement of it being the Arcane storyline’s final season coming as a shock of those fans. Would just one more season really round out to a finale that did justice to the story they followed and felt was something special? All they could do to find out was wait until Season 2 finally arrived.

Where last we left off, councilwoman Mel and hextech creator Jayce called together the special council of Piltover to finalize a peace treaty with the counterpart undercity of Zaun. Meanwhile, sisters Vi and Jinx had reached the point where seemingly too much irreparable damage was done to save their relationship. The only response Jinx could unearth from her loss and anger was aim her powerful hextech cannon at the special council, and all Vi and her potential girlfriend, enforcer Caitlyn, could do was watch it happen.

Picking up right where Season 1 stopped, most council members have been severely injured or even killed in the explosion, Caitlyn’s mother included. Jayce and Mel stand as the only two survivors without a scratch, but how is that possible? That is just the first mystery introduced, and Season 2’s narrative wastes no time in getting going as the characters of both Piltover and Zaun react to the domestic terrorist act in their own separate ways, growing a whole new chaos. Ambessa, Mel’s mother and warlord of the nation of Noxus, seems to take special interest in taking advantage of it all by influencing Caitlyn to lead a military rule. Mel contemplates where she should stand, Jayce grows more convinced hextech itself was a grave mistake, and Vi and Jinx go through their own struggles in figuring out where they now fit or can fit in everything.

One of my favorite subplots is where Vi and Jinx’s childhood friend, Ekko, is transported via hextech to an alternate world—and offered a glimpse of what could have been. This is where hextech was never created, Piltover and Zaun live in relative peace, people that died in the past are still alive, and Jinx is still Powder. She and Ekko were allowed to blossom a whole new relationship that was just not possible in the original world, and yet it is that world Ekko makes it his mission to return to. Is it partly because the original world is the “right” one, and this 2nd world is “wrong”? Ekko admits there is nothing wrong at all with the 2nd world—he just cannot stay for the simple reason that he did not earn it, as well as due to his own responsibilities that anchor him to his home world.

This is just one of several narrative elements to appreciate and enjoy about Season 2, and I mean several, delivering much more than just the star relationship relevant to Okazu. Mystery and complication keep following one after the other like a running stream, with new and returning characters continually being added to and taken out of the mix from the beginning all the way to its epic end. Upon reaching the start of the final episode itself, it especially left this reviewer wondering as well as worrying—can this really stick the landing? Yes, it has been announced that there will be branching spin-offs, but with everything they have already done on this one series alone, can they properly wrap up the Arcane storyline on a reasonably satisfying closed loop before making way for new bonus chapters?

Short answer—I would say yep. After the wild, crazy, often unbelievable ride the animation took its viewers on, after all the tragedies that often bluntly overtook the triumphs, we get payoffs and full-circle resolutions galore that hurt so good like they should, just as much unexpected as well as partly expected. One of many things I appreciate about this story’s ending is that it makes clear regardless of whoever wins the final battle, it does not mean peace and harmony of any kind will follow. As long as humanity exists there will forever be conflict, and for that we can only do the best we can and never be off our guard. That kind of message is especially resonating in our world now more than ever, for better and for worse. This message is also what helps set up (along with the ambiguity of a couple characters’ fates) the promised future stories that could go literally anywhere from this point, and I have no doubt plenty of fans are already intrigued to see what the creators cook up next.

Ratings:

Art-10 This is said to be the most expensive animated series ever made, which absolutely shows and is well-spent on a handful of gorgeous imagery I certainly have never seen before—while also illustrating no matter how brutal and grim the world is, there remains an underlying beauty regardless

Story-10 Almost overwhelming while just succeeding in not being messy, it is really hard to imagine what could be improved when all is said and done. Then again, I heard somewhere that the final episode was originally a full 90 minutes, which I never would have guessed but makes me hope we might get the uncut version for this season’s possible Blu-ray release

Characters-9½ There was a traitor reveal toward the end that I did not care for, but I may well be in the minority on that. Otherwise, the characters all have their moments of making morally questionable choices, but it shows they are just people doing what makes sense to them and their personal circumstances, rather than just simply be protagonists one unconditionally roots for

Service-4 There are really only two scenes of serious intimacy I can recall offhand, but they pack quite a bit especially in the second one while managing to stay confined within its PG-13 rating

Yuri-7 Vi and Caitlyn are inevitably canonized. Beyond that, it is a payoff (amongst many) one should see for oneself

Overall-10 Once again, just see for yourself—assuming you have not already


Taiwan Travelogue: A Novel, by Yáng Shuāngzǐ

December 16th, 2024

Abstract book cover: In the center is a train window, with a porcelain bowl on the sill. The shape of the window is surrounded by increasing large frames of Chinese textile pattern in red and orange, a faded photo of 1930's Taiwan and a pattern or red, orange and yellow flames on a beige cover.It is 1938. Taiwan has been annexed by Japan as part of their colonialist policies. A young, successful novelist named Aoyama Chizuko is brought to Taiwan to write about the island. She rejects the request to support the political aim, but decides to live with “islanders” to learn more about the place. She is assigned a young woman to be her interpreter and guide, a woman whose Japanese name shares a syllable with her own – Ō Chizuru.

This novel, which begins in a period-appropriate disguise of a rediscovered volume of a lost novel by the famous writer Aoyama Chizuko is so layered, so nuanced and yet so bluntly real, that it is quite possibly the very best book I have ever read.

I am fond of the “third-party, sending the second party a copy of a first-hand document” conceit that we see throughout turn-of-the-20th century British and English literature. It adds a sense of wonder as we read what is meant to be understood as the “real” narrative of an extraordinary occurrence.

In Taiwan Travelogue: A Novel, by Yáng Shuāngzǐ, this sense is added to the many layers of language, social and political framing to create what the author refers to, in her final note as ” a piece of amber, one that coagulates both the ‘real’ past and the ‘made-up’ ideals.”

The layers in this novel include the sociopolitical landscape of Taiwan in 1938, but is most deeply reflected in the languages that make up this novel. Meant to be understood as a English translation of a Chinese translation of a Japanese work about Taiwan, the complexities of Taiwanese Mandarin and Hokkien, subsumed by Japanese – and what those all represent to the characters – takes up a lot of real estate in the novel proper. The “translation notes” by Yáng who presents herself as the Chinese translator of this Japanese-language novel, a novel she in reality wrote originally in Chinese, and which has been masterfully translated into English by Lin King, whose translator notes sit astride the back of Yáng’s “notes,” but are the actual translator’s notes, adds a mind-blowing other layer into the fictional “history” of this novel.

Above all this, is a deep love of food. Food is even more the vehicle by which Aoyama and Chizuru travel the island than the actual transportation they ride. Food, hotels, houses, schools, all evoke a specific place and time and mood here. Seasonal food is a sign of the passing of time as it has been for centuries before refrigeration and overseas shipping changed how we eat.

Yáng herself is a popular contemporary Bǎihé author, and this is a story about the intense emotional relationship between two women. Is it a love story? I think that question could be asked and answered in several different ways. No..and yes…and no again. There is genuine affection, and a seething cauldron of other emotions to draw from. I’m being very circumspect here so as to not spoil anything because if you cannot yourself understand the emotions here, they will, eventually be explained.The setting also allows for a secondary, more typical girls’ school “S” type story as a subplot that ties into the larger plot in potentially surprising ways. Again, layers within layers.

There are strong echoes of Yoshiya Nobuko in Aoyama Chizuru. And although Aoyama, unlike Yoshiya, rejects becoming part of Japan’s imperial propaganda machine, Yáng is careful to note in her Introduction that we need to be mindful at all times that Aoyama is a representative of a colonizing force. Indeed, it was nearly impossible for this reader to not be mindful of this – certainly every Taiwanese reader would have been. This simple fact – and the awareness of this – is the black hole at the center of the story, putting out so much unseen energy, and sucking in all things into it’s gravitational pull.

With all these layers, if you take to heart Yáng’s caution in the Introduction, the rest of the book is not a puzzle to be solved, however. It is simply a beautifully written love story to food, a sad tale of two women, and a coldly furious polemic against colonization. In the end, this is truly one of the finest works I have ever read in my entire bibliomaniac life. I sincerely hope that every reader of Okazu gives this book a try.

Ratings:

Overall 10/10

It is an outstanding bit of writing by Yáng Shuāngzǐ and an extraordinary work of translation by Lin King. Absolutely deserving of the 2024 National Book Award for Translated Work. 

Taiwan Travelogue is available now from Graywolf Press.