Kaketa Tsuki to Donuts, Volume 3 (欠けた月とドーナッツ)

October 19th, 2021

What is love? How do we fall in love? What does that even mean? How do we make space in lives that are full already, for other people?

In Kaketa Tsuki to Donuts, Volume 3 (欠けた月とドーナッツ), Hinako and Asahi are wrestling with these questions and others. They aren’t the only ones, either.

The story begins with a crisis from an unusual quarter: Subaru is not planning on taking the college exams. Asahi, who has been working on the assumption that her younger sister would go to university, is confronted by an immovable will. Subaru has watched her older sister sacrifice everything for her and, frankly, doesn’t want that any more. They have a fight, Subaru says she’s leaving. Asashi insists it’s too late, so she’ll leave. And so she does, ending up with Hinako.

This precipitates a crisis with Fuuka, who is tired of waiting to be noticed. It’s too little, too late, but it does clear the growing miasma. Asahi and Hinako both have come to a realization about what they want…but they both, in their own different ways have no how idea to understand their own needs and desires. More importantly, they haven’t found a way to talk to each other about it all.

I love this series. I love how complicated every character is, how neither Asahi nor Hinako have any context for what I’ll call romantic affection in their lives, for completely different reasons. Asahi, who has prioritized her sister, is discovering her sister has other plans than the track Asahi expects. When that sister is off on her own, will Asahi even be able to prioritize herself? Hinako had been trying to fit herself into a path that does not fit and ever day is finding that path more confusingly unsuitable… . Now she’s starting to see the direction she needs to head in.

And for both these women, Fuuka and Subaru can see more clearly than they and know that they cannot squeeze too hard, or these fragile emotions will break.

I am interested in a frank conversation Fuuka and Hinako have here, about Hinako’s desire for Asahi. Hinako realizes that, while yes she does want to be with Asahi, she does not seem to have desire for her. As I am reading ahead a bit in Comic Yuri Hime magazine, I hope that this expression of asexuality is not tossed aside causally as it was in Bloom Into You. I’d like to see Hinako continue to be asexual, as opposed to her having never felt desire for her boyfriends because they were guys. For no particular reason I can verbalize, I trust Usui Shio-sensei more on this matter. I may be wrong, of course. It’s clear that Asahi and Hinako are on a course to, at the very least, be by each other’s side. What that relationship will look like is still in the future…but not that much more in the future, as this series is ending with Volume 4. (This link goes to Yuri Anime News, a great bunch of folks who translate JP Yuri news into English. Follow them on Twitter!)

Could I read about these characters forever? Yes. Should I? No. This story is going to end, and that’s okay. Usui-sensei has more to come and I will be here for it.

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 6
Service – 0

Overall – 9

Volume 2 of Doughnuts Under a Crescent Moon is out now in English, from Seven Seas and Volume 3 will arrive next March. You can pre-order it through this appropriately labeled affiliate link to Amazon, or, as soon as it’s listed on all of our multiple vendors, on the Yuricon Store. ^_^



Whisper Me a Love Song, Volume 2

October 18th, 2021

Eku Takeshima’s Whisper Me a Love Song, Volume 2 is genuinely adorable, about relatable, charming characters, an idealized school setting and conflict so small and so satisfyingly reconciled that “cute and fluffy” don’t come close to doing it justice.  Amid the noise and haste of the world, this series is an oasis of innocence and joy.

Here in Volume 2, the major conflict on Himari’s side is her idea of what love is does not seem to be matching up with Yori-sempai’s but…and this is a huge but…both she and Yori are thinking about it and talking about with friends and each other. They agree on a course of action to try to see how their feelings will resolve by going out and spending time together. Well…that’s pretty much the point of dating, so rock on girls!

In trying to think of a way to describe this series to a group of folks in order to talk about why publisher ratings are madness, I mentioned that in 5 volumes of this series there’s been nothing more physically intimate than a kiss (and that of those 5 volumes 2 have been mostly taken up with a battle of the bands) and yet, it is rated 16+. I’ve been a manga publisher, I know why publishers are required to be cowards and how that very rating  that protects the publishers can  be a hassle for librarians. I hope that we’ll talk about that in an upcoming panel, in fact.  This is especially crazy when you realize that Even Though We’re Adults and I’m in Love With the Villianess are both give 13+ ratings and both are way more openly queer and adult. All three have different publishers and comparing across publisher is awkward, but, c’mon Kodansha. I’d happily recommend this series to 11 and up, it’s that carefree and well, harmless. I don’t think these ratings are an evil conspiracy, but it’s worth discussing why these choices are made.

Takeshima-sensei’s art really conveys Himari’s joy beautifully. Kevin Steinbach’s translation is fantastic – Yori’s voice in this volume is more perfect than the voice I read her in. At one point she said something and I though, “YES! This is exactly right!” Her cool factor is upped by several degrees, without sounding too adult. Well done. Jennifer Skarupa’s letter matched this perfectly. I’m not sure the last time I absolutely could hear every character so clearly. Tiff Ferentini did a bang-up job on editing because we never notice the editing ^_^  Well done to the entire Kodansha team.

Ratings:

Art – 7
Story – 8
Characters – 9
Service – 0
Yuri – 8

Overall – 8

 

Whisper Me a Love Song is a sweet treat of a Yuri manga. A genuine delight. Volume 3 and Volume 4 are available in English
and Volume 5 is available in Japanese



Jigoku Hanazono (地獄の花園)

October 17th, 2021

Jigoku Hanazono (地獄の花園) is absolute trash, hilarious and unforgivable, and probably puzzling to anyone who isn’t deeply interested in girl-gang lore. It’s a movie tailored almost perfectly to my tastes. It will be released on DVD and Blu-ray in Japan in a few weeks, available through this transparent affiliate link.

Tanaka Naoko is a totally typical Office Lady in a large corporation that employs a large female workforce. The workforce has split into factions very like the “Ladies” gangs. Naoko, and her typical, non-faction colleagues, end up dodging the inter-departmental battles that break out between the various factions. Until one fateful day all three factions at her corporation encounter Hirose Ran, who transfers in and takes them all over. For a time, peace reigns.  But when other corporations hear of Ran’s power, they begin to encroach upon their territory, and Naoko is kidnapped to lure Ran into a battle.

And then the movie gets weird.

If you take a look at the official cast page, you’ll note the thing I like best about this movie…and the thing I liked least.

The thing that immediately become obvious, is the heavily embroidered gang outerwear, reminiscent of tokkou-fuku of Japanese motorcycle and scooter gangs, only in bright colors worn over office uniforms. The factions mimic gangs in patois and behavior as well, which is always sort of ridiculous in media, but especially so as it’s played for laughs here.

You’ll also note that one of the corporations has a gang in black and that all the women in that gang are played by men. This is something I have encountered in a few other gang or gang-esque movies, like the live-action Cutey Honey movie…the most powerful women are played by men and are thus meant to be grotesquely ugly and horrible.  I do not approve. First of all, women are completely capable of being grotesque and ridiculous on our own, thanks  In this case, it is again a woman who is the most powerful, so that’s cool. And the men are seasoned actors with years of yakuza dude roles under their belts, so that worked as well. Overall, it was no more than another eye-roll in a movie basically built out of eyerolls. All of the actors chewed up their roles with gusto, which helped the movie hustle along to it’s utterly ridiculous end.

A palpable friendship builds up between Naoko and Ran and it becomes the lynchpin of the climax, so I really cannot tell you what happens. You’ll *have* to experience it for yourselves. I will tell you that any and all Yuri is punted off the roof in the final, bewildering scene that is so gobsmackingly ridiculous that it is almost funny, but still really annoying. Naoko agrees, is all I’m saying.

There is an English-subtitled trailer from FujiTV, which I hope means this will make the rounds of western Asian film festivals next year. I’d love to do a watch party with you all.

 

Ratings:

Cinematography – 9 Perfect and awful
Story – 9
Characters – 9
Service – 0 Not really, but tropey gang fights is a kind of service
Yuri – So close, but no

Overall – 8

Really hoping for an EN release, but the JP Blu-ray is in my cart, baby.



Yuri Network News – (百合ネットワークニュース) – October 16, 2021

October 16th, 2021

Yuri Manga

[Boyish²] Butch×Butch Yuri Anthology has made its Kickstarter goal with more than a month left! That means you have plenty of time to back this anthology. With so much support they are considering doing a print volume, as well as digital.

Via Fayorei on Twitter,  Bookwalker is running a coin boost sale on Inori’s I’m In Love With the Villainess Manga and Light Novels! (These are both affiliate links, so I get a pittance of coins if you pick something up with them.^_^) The sale ends Oct. 20th.

While we’re talking ILTV, Sekai Edition has just announced a Spanish edition of the Me Enamoré de la Villana light novels!

We have some new items up on the Yuricon Store, which means these are all, again, affiliate links.

Zaou Taishi and Eiki Eiki’s early 2000’s Yuri series for what was then Yuri Hime magazine, are being reissued as complete editions. Love Gene Double XX Complete Edition  and Haru, Natsu, Aki, Fuyu Complete Edition (春夏秋冬 完全版) both include new pages and new cover design.

Lonely Girl ni Sakaraenai, Volume 4 (ロンリーガールに逆らえない) is hitting Japanese shelves this week. I am so glad this story didn’t just wrap up after Sora and Ayaka started to go out. It feels more substantial, somehow.

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become an Okazu Patron today!

 

Yuri Navi is reporting a new Yuri series starting in Comic Cune magazine. Lily-Lily-La-La-Land, is set at a private girls school and begins with a confession.

Also via Yuri Navi, Kimi to Shiranai Natsu Naru by Keiyyang, will begin and get color pages in the New Year’s first  issue of Comic Yuri Hime.

Again via Yuri Navi, Mikanuji’s new Yuri + food manga Sempai, Oishii Desu ka? (先輩、美味しいですか?) has begun on Young Ace online. I kind of found the premise a bit depressing, so I hope our protag gets to eat whatever she wants.

Via Aki Yanagi on Twitter, another food + Yuri manga that has really intrigued me, Tsukuritai Onna to Tabetai Onna,  (作りたい女と食べたい女) by Yuzaki Sakaomi, has been given a content warning – something that is very rare in JP manga. But this, Aki-san, says, is done as a kindness by the author, as it includes scenes of sexual harassment. This was part of a great conversation with translator Jocelyne Allen, who noted a single chapter in Witch Hat Atelier which was likewise tagged with a CW in Japan.

 

Events


AnimeNYC is on the way and – if everything works out – I’ll be attending on Saturday, to cover the event as press and be part of a GEEKS OUT panel on queer manga. Vaccines and masks will be required, so make sure you’re sorted. If you are there, say hi after the panel. ^_^

I’m also going be recording a session for the New York Public Library, with a whole lot of much more qualified folks, to talk about LGBTQ+ Manga in the Library. The livestream will be Nov. 17 and I’ll drop the link as soon as I have it.

It looks like we’ll be doing our cover reveal for By Your Side: The First 100 Years of Yuri Anime and Manga as part of our annual Okazu Patron Online Holiday Party. My publisher will be a special guest. Dates will be chosen on the Okazu Patreon. We’ve been doing this the last couple of years and it’s a lot of fun!

Spring 2022 is already lined up for a bunch of interesting things, so stay tuned!

 

Anime News

In another example of how the universe is unfair, Wataten is getting an anime film. Egan Loo has the details on ANN. While that mess gets money poured into it, I’m in Love With the Villainess remains unanimated thus far. (I still have hope.)

Kakegurui XX has been licensed by Sentai Filmworks, with a Q1 2022 projected release.

 

Other News

ANN’s Lynzee Loveridge reports on a Sailor Moon-themed at illumination at Sagamiko Resort. The resort’s official website has an image that makes it look kinda fun! I know I’d go, if it were doable. ^_^

I know I keep mentioning this, but. Via Yuri Navi, the 4th Yuri Bungei Shousetsu Contest is live! Pixiv, Comic Yuri Hime and Hayakawa Publishing have been sponsoring this short story contest and we’ve gotten a fair amount of decent works so far. I just went and bought the print versions of the second and third contest winners from Booth.pm. ^_^

ANN’s Kim Morrissy has this great article: TMS Entertainment’s 1st Female Producer Explains How the Anime Industry Can Improve For Women. Well worth reading.  ^_^

 

Thanks to our Okazu Patrons who make the YNN weekly report possible! Support us on Patreon to help us give Guest Reviewers a raise and to help us support Yuri creators!

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Anata no Yoru ga Aketera (あなたの夜が明けたら)

October 15th, 2021

Anata no Yoru ga  Aketera (あなたの夜が明けたら), translated on the cover as After Sunrise, Haru Harukawa Collection is a collection of shorts by, obviously Harukawa Haru. Some of these shorts have appeared in other collections, such as the Shakaijin Yuri anthology brought out in English here by Yen Press as Whenever Our Eyes Meet.

These stories are varied in tone, adult couples to a surprisingly poignant maid/mistress story, office stories and, inevitably a few high schoolers. A couple of the stories have some problematic age gaps, but whether you find that unpleasant or not is yours to decide. The stories themselves are not generally creepy. Sex is implied, or alluded to with tasteful nudes, rather than graphically depicted. But, like many of the kinds of stories I prefer, the emphasis is on emotional closeness, rather than physical relationship. And that is where I found the most problematic, content.

The first story is a classic modern fairytale. A woman who lost her husband hires a sex worker to sleep with. Not have sex…actually sleep. She cannot sleep alone. Now that she finds she can sleep this way, she has the sex worker fired from her agency, so she can…what? adopt her? own her? hire her?… full time. And because the client is so wealthy, she expects the sex worker to not work. What will she do with her days? she asks.  Whatever she wants, is the reply. My head is full of alarms and sirens throughout.  It’s fairy tale world, a sex worker and client fall in love live happily ever after. But…whatever she wants? Maybe she wants to be a sex worker, Ritsu. Did you never consider this?

A few of the stories had this “cool story, bro” quality, where if I told you the idea it would be fine, but when you dig down a bit, it is not so fine. Which made me like this book more than if it had just been one bland happy ending after another.

Ratings:

Art – variable, but mostly 8. You can tell the early stories.
Stories – 7
Characters – 7
Service – surprisingly little to none
Yuri – 8

Overall – 8

Like an acquired taste, the stories had a complicated enough flavor to leave me with something to think about.