Bloom Into You Regarding Saeki Sayaka, Volume 2

August 17th, 2020

Saeki Sayaka would probably not, if you asked, consider herself nostalgic. Nor would she likely think of herself as capricious, I don’t think she’d go far as to say that she was any more logical than anyone else. I am confident, however, that she would agree that she is a thoughtful young lady, who considers her choices carefully…and considers the consequences of those choices very deeply.

In Bloom Into You Regarding Saeki Sayaka, Volume 2, we meet Sayaka after she has experienced love and loss in middle school and after she has fallen in love once again in high school. It’s a love that isn’t going to be realized, we know, but she’s in the middle of it. While she might have an inkling that she’s put herself in an untenable position, she’s allowing herself a kernel of something like hope, a promise to herself that if she should want to reach out and bridge the distance between her and Touko, she could…she just doesn’t want to.  It’s a pleasant little story, that becomes a lie in the beginning pages of the book and Sayaka knows it.

We can relax into this book because, of course, we already know happened, but we really should take a moment to appreciate how much work the writer, Hitoma Iruma, put into it. They could not relax at all, as the readers already know what happened. ^_^

There are number of nice touches in this volume too. Classmates Manaka and Midori are a lot of fun. I read an early passage in which Manaka said that joining a club would be useful, because “…if you exercise enough, you’ll be ready if something happens and you need to make a quick getaway.” I hope we all had a laugh remembering the friend in high school who said stuff like that. (Honestly, in my crowd, any one of us was likely to be “that guy.” ^_^)

Physically, this book was lovely, with extra flourishes by interior designer Clay Gardener – the original Japanese volume had undecorated pages. I thought this was a very nice touch. All the other technicals were likewise excellent. Translation and adaptation were spot on for the serious Sayaka we see in the anime.

I enjoyed this volume immensely – again. As I said in my review of the Japanese edition, “I am pleasantly surprised to have fully enjoyed a novel by Iruma Hitoma, in which the tone and feel of the character as we know her is captured well.” I look forward so much to the third volume in December, in which we see Sayaka exist apart from Touko, as she becomes the Sayaka she will bloom into.

Ratings:

Art – 10 Art by the series creator
Story – 8 A stronger sense of Sayaka’s feelings for and about Touko
Character – 10
Service – 1 Not really this time
Yuri – 7 This book is chock-full of Sayaka’s thoughts about being attracted to Touko for all the reasons.

Overall – 9

My impression of the third volume in Japanese, was that I grinned throughout. I hope you do too!

Thank you to Seven Seas for the review copy. As a result of their generosity, I have an extra copy to give away!  Enter by putting a funny story about a friend in high school saying something goofy and you’ll be entered. Use an email you check regularly. I’ll pick a winner by Sunday, August 23. (The winner has been contacted!) Here’s my story:

In high school I was sitting with some friends in the cafeteria and one of them had decided that she was head over heel in love with some senior boy. She asked us all to say what liked best about him and my future sister-in-law said, “His absence.” I absolutely lost it and haven’t stopped laughing about it since. ^_^



Rafiki, directed by Wanuri Kahiu

August 16th, 2020

Rafiki directed by Wanuri Kahiu, is a beautiful film about two Kenyan women in love in a county where homosexuality is illegal, and Church, State and Society are violently opposed to queer people living happily. Nominated at Cannes, Kahiu’s award-winning vision is timeless, with overnotes of Romeo and Juliet. “Two houses alike in dignity…” and all that, but with some deeper messaging.

Kena Mwaura is one of the guys but she, like most tomboys, is not at all one of the guys. Ziki Okemi is a very pretty girl, whose father just happens to be running against Kena’s father for the local County Assembly position. Kena and Ziki fall in love. It’s charming and sweet. You watch them wanting to cocoon them away from the derision and harm that you just know is waiting for them out in the real world. When it lands, all we can do it watch and wait…and hope.

As we watch, it becomes clear that there are several layers of storytelling unfolding. There is the clear message that the demons are in the haters, not the hated. The anger, the intolerance, the disdain, the rejection, the violence, that is where the demonic influence is. Love is…love.  Love brings joy and wholeness, but hate makes us bilious,and causes us to hurt others…which one is the one that is holy, really. It’s not subtle. Church, State and Society all look like the jerks that they are.

And there is the equally unsubtle story about two fathers, for whom wives and daughters are symbolic tools, not actual humans. Thankfully, here, the families are given room to grow, and both fathers and mothers change, at least a little. 

But there’s one more layer and this one really struck me hard – the mean smallness of society’s vision for what women should want and how men and women become enraged when younger generations just refuse to see that mean, small, barely human existence as “enough.” Blacksta, Kena’s friend, is honestly confused when Kena doesn’t seem interested in becoming his wife. “Isn’t that what everyone wants?” (At which point, I thought, in story after story after story, the villagers remain gormless. Why would Cinderella ever want something different, or Mu Lan?) The fact is, that the smallest and meanest of visions for what we “should” want is still prevalent. In the movie press kit, Kahiu says,

“While filming,we challenged deep-rooted cynicism about same-sex relations among the actors, crew and continue to do so with friends, relatives and larger society. RAFIKI brings to the forefront conversations about love, choice and freedom. Not only freedom to love but also the freedom to create stories.”

It was that theme of freedom I loved best about Rafiki. These themes were addressed at a price. In a 2019 interview with the Guardian, Kahiu speaks of the harassment she has faced, sometimes from people she loves.

The censors were not at all happy with Kahiu’s vision, either. “They felt it was too hopeful. They said if I changed the ending to show her [the main character Kena] looking remorseful, they would give me an 18 rating.” Kahiu declined and so, as the final framed play, Kena and Ziki do not end up dead, or some other more traditionally depressing ending. I will rejoice when “death or marriage” is so completely confusing an idea to young queer folks, since not having a happily-ever-after ended would be unthinkable. ^_^

Samantha Mugatsia’s Kena is fantastic. You just want to invite her over to kick back and let her relax a bit, and while it took me longer than Kena to trust Sheila Munyiva’s Ziki, I think she did a fantastic job of acting.

Overall a very solid movie. A few weeks ago, I reported that this movie had been put on Youtube officially, but I find that that link is no longer active. The movie is available to rent for a mere $1.99 on Amazon Video, which is where I watched it.  Ultimately, it’s a story of hope and for that alone, it’s absolutely worth watching. ^_^

Ratings:

Overall – 8

From a western perspective, there was nothing censorship-worthy, but Kahiu had to sue her own country’s government to get the film shown in Kenya…she was successful and it did play for a week. With luck we’ll be seeing more of her work in the near future for Amazon and a movie called The Thing About Jellyfish.



Yuri Network News – (百合ネットワークニュース) – August 15, 2020

August 15th, 2020

Yuri Anime

We’re starting this week off with some song and dance. Rafael Antonio Pineda at ANN has the details of the upcoming Revue Starlight film and the teaser trailer.

Kyoto Animation is producing Miss Kobayashi’s Dragon Maid Season 2, Adriana Hazra’s got the news on ANN.

Via YuriMother, in The Owl House, Disney’s First LGBTQ Protagonist is a Bisexual Dominican-American.

 

Yuri Studio

We’re working on the next Yuri Studio video. Become an Okazu Patron to get behind the scenes previews and snippets! Just $5/month will be a huge help! We’ve got a really fun opening sequence planned with the help of some our favorite online friends…and this is going to be a really chunky, rich video full of great info!

 

 

Yuri Manga

Comic Heaven magazine , No. 49  (コミックヘヴン) will include a short Yuri story, “Hinata no Yuri” (ヒナタノユリ」) about an office lady who has never fallen in love.

Kaishaku’s news series, Himegami no Miko (姫神の巫女) , the sequel to Kannazuki no Miko is available for free on Comic Walker. In Japanese of course.

Also on Comic Walker is Goukaku Tame no! Yasashi Sankaku Kakei Nyuumon (合格のための! やさしい三角関係入門) the new girl x girl x girl series by Canno. Since I felt that the three-way relationship in Kiss & White Lily For My Dearest Girl was the strongest writing in the series, I’m interesting in seeing what happens when she focuses on one.

I’m absolutely beside myself with joy that Shio Usui’s Kaketa Tsuki to Donuts has been licensed by Seven Seas as Doughnuts Under a Cresent Moon. I enjoy this series immensely.

 

 

Other News

YNN Correspondent Megan has written in with this fascinating item, on “BL news site Chil-Chil about the intersection of BL and Yuri fans”  BLと百合、近くて遠い 2つの世界 translates to BL and Yuri, two worlds which are close but far apart. (It’s in Japanese, but you can follow it easily enough with a translate tool. Megan has translated some of it on Twitter.) This is part of their ongoing BL research column, and this article is a survey of BL fans who like Yuri. Chil-Chil also has a collection called BL Yuri, a term I have not heard anyone else use, (and, if I’m being honest, makes me cringe a bit, based on the cover…)but as I haven’t read it, I will withhold judgement.) The premise appears to be BL without a seme, so not really “Yuri” in the sense we understand it. If you have read it, do let me know what your opinion is.

In The Atlantic, Gabrielle Bellot has taken a look at Kuniko Tsurita, an influential female manga artists of the early 20th century in How Kuniko Tsurita Shaped Literary Manga History. This article also celebrates a new collection of Tsurita’s work, The Sky is Blue With a Single Cloud with translation by Ryan Holmberg. It looks fantastic, Tsurita’s art has a clear Aubrey Beardsley influence that I find quite appealing.

We’ll wrap up this week with an article on the NYTimes How Queer Women Powered the US Suffrage Movement by Maya Salam.

 

Become a YNN Correspondent by reporting any Yuri-related news with your name and an email I can reply to – thanks to all of you – you make this a great Yuri Network! Special thanks to Okazu Patrons for being an important part of the Okazu family. I couldn’t do it without you!



Ai ni Airashi Itoshi Anata (愛に愛らし愛しいあなた)

August 14th, 2020

Suzuki Yufuko’s Ai ni Airashi Itoshi Anata (愛に愛らし愛しいあなた) was not at all what I expected it to be. No, scratch that. It was exactly everything I expected it to be…only it turned out to be kind of charming. ^_^

Takimoto Mako is a senior in high school. He mother is an actress and often away, or hungover, and her father is a famous manga artist and is also often away. Mako is…average. She knows it, in fact she clings to her identity as an average girl with surprising fierceness.

One day at a cafe, the rumors of the “goddess” of the cafe, swirl around and a beautiful woman enters. Everyone is watching the goddess, but only Mako sees that she has her phone recording Mako and her friends’ conversation. Mako confronts her and suddenly finds herself outside on the street, where the goddess is offering her money.

Sonoda Aino is a young adult who is longing a bit for her school years. The people in her company are nice, but she find them crushingly dull and longs for the free chatter of high school girls. It’s a little creepy, but harmless and she begs Mako to not tell anyone. She’ll do anything, if Mako won’t get her in trouble.

Mako does have a problem that Aino can solve…so Aino stands in for absent parents at a meeting with Mako’s teacher. It all goes well and they both relax a bit. Mako is adamant that Aino shouldn’t record conversations,  (’cause that’s bad, duh) but the two of them become friends.

It’s kind of accidental that Mako starts to think of Aino differently, but her friends notice, and not all of them are happy for her. When her best friend’s jealousy causes Mako to doubt Aino’s affection, she breaks up with the older woman. It takes a confession by that same best friend to inspire Mako to make it right…and a confession from a completely different party to give her the whole picture. Mako and Aino make up.

The epilogue is wholesome. Four years later, Mako is graduating college, Aino is celebrating her last year in her 20s and they will, we can expect, live happily every after.

So yeah, it’s exactly what the cover looks like. And with that the premise, it really could have been horribly creepy. That was certainly what I expected yet, somehow, it just…wasn’t. It was instead kind of sweet. This was a Wings comics, and perhaps Wings Yuri has now developed a house style –  sweet Yuri with just a little real-world, but not too much. Real without being gritty.  In any case, the art is very teen-magazine-ish. I kinda liked it for this story.

Ratings:

Art – 8 Pretty things are pretty, cute things are cute
Story – 8 Better than the sum of its parts, for sure
Characters – 8
Service – 1 on principle only
Yuri – 8

Overall – 8

I’d like more “real without being gritty” Yuri in my life, please, thank you.



Comic Yuri Hime, August 2020 (コミック百合姫2020年8月号)

August 12th, 2020

I just want to take a moment before I even begin this review and offer a tip of my hat to cover artist Rolua, who in a few cover pieces told a decent short science fiction story. ^_^

There are a couple of new series starting in Comic Yuri Hime, August 2020 (コミック百合姫2020年8月号). Yuri Light Novel Kundan Folklore is being serialized by creative team SukeraSparo. We’ll get to that in a second. Because, the magazine opens up with a huge spread for “Watashi no Oshi ha Akuyaku Reijou,” the light novel series which has been licensed by Seven Seas as I’m in Love With the Villainess. I didn’t hate it, but it sure veers close to fetishtry that does not overlap my own. ^_^

Rei, a miserable worker at a black company, wakes up one day in the otome game she had been playing, “Revolution.” although the game was specifically designed to partner the lead with one of the princes at the school, Rei had fallen in love with the obnoxious bully and rival for your choice’s attention… Claire. The harder Claire tries to bully Rei, the more Rei likes it. ^_^; This series is funny and just a tad creepy and I’ll be interested to see where it goes.

In Miman’s “Watashi no Yuri ha Oshigoto desu!” Kanako finally says some things Hime needs to hear, and Hime agrees to attend Kanako’s birthday event at the cafe. It feels very much as if we heading for a climax in this series…but we’ve got a few more bumps to deal with before we get there.

Something completely unexpected has happened in “Hello Melancholic” by Ohsawa Yayoi and I find that I really, honestly care about Minato now and desperately want her to be happy. ^_

“Kundan Folklore” looks…pretty interesting! Better thn that visual novel and let me  assure you that I’m surprised to say that. It’s front-loaded to be a scary family legend story, but it’s also a story about mismatched friends and protagonist who works hard to be where she is. I hope I like it.

Kodama Naoko’s “Umineko Bessou days” is also heading towards an ending, Sadly the complications are scraped from the back of the plot complication closet and just completely failed to keep this reader engaged. I don’t dislike this story, but it could have been so good. It was instead very average.

I adore the color washes give to Kon-chan’s dialogue in Inui Ayu’s autobiographical manga. Whatever the color of the “Hime Cafe” section of the magazine, is the color of Con-chan’s key lines. It’s adorable and I hope they keep it for any collected volume, should we get one.

Ratings:

Overall  – 8

As always, there are other stories I read and enjoyed and others I read and did not and a few I don’t read. A pretty even bell curve of interest and something for mostly any Yuri fan. The September issue is already out and has an amazing cover! I do like a woman with tattoos.