Patron-Only Content Launched on Patreon

October 8th, 2017

I won’t be making a habit of this, but Patrons of Okazu got a chance to see some original content from the monster I’m calling The Big Book O’Yuri  (that’s not the real title. It has a name,it’s just under wraps for now,)

Thanks to all of my patrons for making this kind of work possible!

In addition, I ended up unexpectedly spending a few hours at New York Comic-Con catching up with folks on the floor (Thanks Christopher!) and I have learned some news that I can’t wait to tell you. Keep your eyes on this space. ^_^

I’ll be at AnimeNYC next month for my last domestic event. I think it will be a lot of fun. Hope to see you there!



Yuri Network News – (百合ネットワークニュース) – October 7, 2017

October 7th, 2017

Yuri Anime

So weirdly, I was looking around my shelves of anime the other day and thought, “wWw, another whole new generation of Yuri fans will have no idea who Shizuru and Natsuki are when I use them as an example of something in my book.” And lo and behold! Funimation has announced a new home video release of Mai HiME and Mai Otome. No excuses for you then. I think they are worth watching but probably for none of the reasons the anime production company thought so.  ^_^ (When they came out the first time, I spent a lot of time writing about them. Check out the Mai HiME and Mai Otome categories here to see what I mean.)

In case you missed it, we now have official news that 2018 will see a Asagao-to Kase-san OVA!

The Girls Last Tour anime will be simulcast on the Amazon Strike subscription streaming service.

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Yuri Manga

ANN has a report on two more new chapters of Rose of Versailles focusing on Rosalie.

Rachel Matt Thorn has asked for LGBTQ folks on Twitter to please contact her with their opinions of Shimura Takako’s Sweet Blue Flowers.

While we’re on the topic of Shimura-sensei’s work, YNN Correspondent Verso S also noted that Rachel has recently done a podcast with the Anime Feminist blog on trans issues in Shimura’s Wandering Son series, along with ANN’s Jacob Chapman and Youtuber Cayla Coats. Ohta Publishing is talking about a 20th-anniversary artbook of Shimura’s work. And Eureka magazine is also putting out an issue on her work.

Don’t forget that Kase-san and Shortcake hit shelves this month in English. Yamada and Kase-san are looking at the future and wondering if they can face it together. And, while we are getting Kase-san and Apron in February, we won’t be getting a deluxe version with the animation clip. This isn’t surprising, as Seven Seas really doesn’t involve themselves in animation licensing. The folks involved in the making of the animation,however, will be participating in the Yamagata International Documentary Film Festival this week.

Keep your eyes open for Red As Blue, an upcoming LGBTQ YA graphic novel by Ji Strangeway with art by Juan Fleites. Here is the official description: 

15 year old June Lusparian is an outcast caught between worlds. Half Mexican and half Armenian, June hovers on the border of adulthood, searching the streets of Paradise and the halls of Paradise High for signs of redemption – symptoms of life.  She longs to carve open her own space to find a beating heart in a barren world. Only her secret gift for music offers a hint of hope. When she falls for blonde, cool girl Beverly, captain of the Spirit Girls cheer squad, June hopes she may at last have found that one true thing. But as their nascent romance grows, June learns true connection requires more than a bond of pain and the ache of desire. Paradise is more than an idea, more than a town. And forgiveness never falls from heaven of its own accord.

Kuzishiro-sensei’s zodiac animal Yuri gag comedy Inugami-san to Neokyama-san (犬神さんと猫山さん) wraps up in volume 6.

Don’t forget that adult-life drama by Ohsawa Yayoi,  2DK GPen, Mezamashitokei., Volume 5 (2DK、Gペン、目覚まし時計。) is out now and Volume 6 will be on sale in November. 

 

Live-Action

Via YNN Correspondent soulassasin, the Le Souvenir Cafe will be running a Maria-sama ga Miteru cafe  with actresses playing the roles of the Yamayurkai in November in Akihabara, Tokyo.

The live-action of Saki Achiga-hen announced cast and has pictures of the actresses in costume.

 

Other News

Via YNN Correspondent David M, check out this fascinating story about the Bluestockings of early 20th century Japan. The Banned 1910s Magazine That Started a Feminist Movement in Japan.

If you’re around New York City on October 13, consider hitting up the Manga University event, at which Hiromi Tsuchiya Dollase will be speaking on the seasonally appropriate “Mother Horror in Japanese Shōjo manga.”

Outo is a new collective of queer feminist comic artists from Finland! Check it out on Facebook

 

Know some cool Yuri News you want people to know about? Become a Yuri Network Correspondent by sending me any Yuri-related news you find.Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.

Thanks to all of you – you make this a great Yuri Network!

 



A Note from the Editor’s Desk – On Removing A Post on Okazu

October 6th, 2017

Today I did a thing here on Okazu that I have not had occasion to do very often – a post has been removed.

It’s not something I have to do often because this is my blog and obviously, most of what I say here is mine to stand by or not as I desire.  But this was different, because it put me in a situation I sincerely have never before been in and one for which I had only a theoretical plan of action.

Anyone interested in popular culture right now can see that we are at some kind of crisis point with abuse, harassment and stalking conducted online. But that problem did not start here and now. It has been pervasive since the early days of online chats, Usenet, BBSs. Essentially, any communications tool ever created by humans has been used by some humans for abusing others. These targets are often women, children, LGBTQ people, people in marginalized communities, like folks in queer or disabled communities, people of color or ethnic minorities.

Every day in the news, we can read about “nice guys” that “everyone knew” who have a long string of victims of harassment and predatory sexual and emotional behavior. In fact, this very week, the news has two such situations – one on the larger national political scale and another in the blogging/online magazine world.  It takes a lot of effort, shame and publicity to get publishers and donors, academic institutions and employers to cut their ties from people they like, or who are successful, even after repeated stories of abuse are uncovered.

Like me, you may have read one of these stories and said, “Just fire the creep.” I have always said that, as I think most reasonable people might.

Equally, I expect most of you know I have been targeted for online abuse on and off for decades, beginning with my time on USENET and 4chan’s years-long love affair with me. ^_^ I’m fairly impervious to trolls, attempts at harassment and abuse, but I understand others have had a different experience and people can be severely emotionally traumatized by online harassment.

This week I learned that one of our guest reviewers has a long, documented history of online abuse. I was, as you can imagine, horrified that I had given that person a place here on Okazu. To that end, Benjanun Sriduangkaew‘s post has been removed. You may click the link to read why on her Wikipedia page. I trust that she is a different person than she was – and certainly she was a completely different person when she presented herself to me – but I refuse on behalf of myself and all of you, to become part of this story without our consent or knowledge. Had she been an employee, she would have been fired. I will not be one of those employers, publishers or institutions who make excuses for her good work, no matter how good.

Online behavior ought to have consequences – this may be a small one, but it is the one I can do.  This is the complicated part: One may be a changed person, but one is still obliged to do one’s own reputation damage control. One must make amends or at least attempt to do so.  Others cannot be responsible for removing the toxicity built up over years of bad behavior…or, honestly, in a perfect world this would be true. We see other people doing that all the time. “They were nice to me, though.” “They are a good writer/salesperson/producer.” Yes, but that’s not the point, is it. The point is, the abuser gets to move on and grow and let go of the abuse, but the victims don’t. They are holding the ball of anger and fear.  It is wholly up to the abuser to make amends and only then should we say “fine, we’ll give you a chance.” 

I apologize to all of you and going forward I will do better research when people I don’t know directly seek to write for Okazu. 



Yuri Manga: Yagate Kimi ni Naru, Volume 4 (やがて君になる)

October 5th, 2017

In my previous reviews of Volume 1Volume 2 and Volume 3 of Nakatani Nio-sensei’s series I have expressed, at length, my discomfort with this series as a whole and in specific. I won’t beat that same drum today. And, as the book is available in English now, (Volume 1Volume 2, and Volume 3 are available in English and Volume 4 will be out in winter 2018 ) you can decide for yourself whether you share my perspective.

In Volume 4 of Yagate Kimi ni Naru, (やがて君になる), a new plot complication enters the ring, which is already quite crowded. And once again, I’m not sure whether it’s there as a tiresome plot complication or a really deeply complex emotional conflict that is given no words with which to be expressed. 

The Student Council is going to perform a play for the school festival. Written by one of Yuu’s classmates, it strikes much too close to the truth for the actor’s comfort, but they put everything they have into the play. They decide to spend a few days at the school in a training camp to practice. This puts Sayaka, Touko and Yuu in close proximity for several tense days as their mutually exclusive desires keep any one of them from breaking the detentes.

More critically for Touko, in the course of the training she meets a man who knew her sister in school. For the first time she’s able to see past the glamour to get a glimpse of the person she’s always been running after, who may not be what she thought.

And most critically, we meet a friend of Yuu’s from school who notes that Yuu’s current level of normal whining about her club activities being so exhausting is kind of refreshing. Natuski notes that when Yuu was on softball team she never seemed to have any opinion about anything and made no decisions.  Now, Natsuki notes, she has an an actual interest. Are we meant to understand this as an important quality in Yuu – a crippling indecisiveness that she’s just now moving past? Or is this just a standard manga handwave, like Hazumu’s inability to make even the simplest decisions in Kashimashi Girl Meets Girl?

I don’t know and you’ll get to decide for yourselves, when Volume 4 comes out in English in February.

I call this the most problematic book I’m currently reading. I just can’t like Yuu or Touko, but I quite like Sayaka  and really want her coming out the other end of this only nominally scathed.

Ratings:

Art – 8
Story – 5 This issue has issues
Characters – 8 
Yuri – 7
Service – 4 Bathing scenes with three girls, two of whom are lesbian.

Overall – 8….

I don’t see a way out for anyone as of yet. I hope to heck Nakatani-sensei has a plan here. I very much want to believe she’s not just jerking us around, but this is a Dengeki series, so I’m really not all that sure.



Yuri Manga: Sweet Blue Flowers, Volume 1 (English)

October 4th, 2017

Third time’s the charm. In 2012, JManga did a digital-only translation. Towards the end of 2014, Digital Manga Publishing also tried putting Shimura Takako-sensei’s new classic Yuri manga out as a digital publication. Now, in 2017 we have what is very likely to be the definitive English-language translation for the series, in omnibus format. Thanks to Jocelyne Allen, Jen Gruningen and the folks at Viz, I think we’re at peak Aoi Hana here in the west.

Sweet Blue Flowers, Volume 1 introduces us to Manjome Fumi and her old childhood friend, Okudaira Akira. They had been very close as children, but when Fumi moved, they fell out of touch. Now, as they both head to different high-end girls’ schools, they’ve met again. 

I was reminded as I read this book that although the opening and the ending are – in my opinion – very weak, the rest of the story is excellent. It’s got surprising depth and breadth. Characters that surround Fumi and Akira are as well-developed as they and as interesting. 

In the first half of this Volume 1 – the original Volume 1 that was, Fumi is charmed, then asked out by an upperclassman at her all-girl’s school. Sugimoto is not her first girlfriend, but may well be the first by her own volition. Their time together is brief, as it becomes very clear that Sugimoto carries a whole host of issues with her and Fumi recognizes that she’s worth paying full attention to.  By the second half of the volume, Fumi has learned a lot about herself, among them that Sugimoto is the third person she’s loved.

The school play gives a chance for the cast of both schools to mix and emotions to be be heightened. Wuthering Heights is an unsurprising allegory for the tensions and passions of the cast to swirl and come together and part, like a storm. 

But by the end of the volume we have Akira and Fumi still friends. Fumi has, in a very rare act in Yuri manga, comes out to Akira. It’s a tempestuous time in their lives, but they both know who each other were – and are – and are there for each other. 

This still, after all these years, stands out as one of Shimura’s most tightly put-together stories. Other series have sort of swirled and eddied around the same material without changing, but we can see the changes to Akira and Fumi and their friends in pretty steady progression, as they encounter, deal with and grow from challenging situations.

This is a series that has many (if not all) the hallmarks of a “S”-era story and in my Very Brief History of Yuri I call it and Maria-sama ga Miteru “S for a new generation.” We can, like Fumi, enjoy the atmosphere of an old girl’s school. We can enjoy the drama that comes along with the hot-house environment. And we get the added advantage of characters with society – friends and families, brothers and parents and teachers who are male and female and a modern sensibility, in which gay people exist, and have lives. This is all so critical to my enjoyment of a manga. We have this series in omnibus form (available in print and digital format) and it, like several other series available right now, will be on my short-list of books that embody the classic concepts of the genre of “Yuri.” 

Interestingly, since the author attempted (unsuccessfully) to visit Yoshiya Nobuko’s home, the grandmother of Yuri gets both a mention in the notes and is attributed as the women who pioneered Yuri in Japanese literature. This is true, but she’s even more important than the note accounted for, because she not only pioneered Yuri, but also a great deal of what we think of as shoujo literature and manga. Yoshiya Nobuko-sensei was the richest woman in Japan in her lifetime. She’s an inspiration and a hero of mine. (Here’s my report of visiting Yoshiya-sensei’s home, from 2013.)

This edition came with a lovely assortment of postcards from the Aoi Hana Meets the Enoshima Electric Railway collaboration event from 2012 (an event reported in excellent detail by Guest Reviewer Bruce P – with pictures!). The book itself is exceedingly well put-together, with those cover flaps that take the place of a dustcover, but allow readers to see all of the cover and flap art. Color pages are included – including the cover of the second volume as a interior color page. Even the font choice matched the original well. And the translation and adaptation are excellent. I really do think this is a “definitive” edition. We’re not likely to get better. There’s very little room for it to be better. 

This is the version we all wanted. There’s no excuse not to buy it and support the author and folks at the publishing companies that brought it to us! Volume 2 will be out in December, 2017.

Ratings:

Art – 8
Characters – 8
Story – 7
Yuri – 7
Service – 1

Overall – 8

Today’s review was brought to you by the kindness and generosity of Okazu Superhero and occasional Guest Reviewer, Eric P.! Thank you Eric, once more, for all your many years of support! 

If you enjoy our Guest Reviews here on Okazu, I hope you’ll help support the Guest Reviewers – the Okazu Patreon is a mere $34/month away from being able to pay our writers. Every dollar will get us closer to that goal. If you’re a regular reader here and have enjoyed Eric’s reviews, I hope you’ll consider supporting Okazu on Patreon so we can pay him for his work!