Cocoon Entwined, Volume 5

June 20th, 2024

On a black background a girl in a black, old-fashioned school uniform runs off the cover, her long hair flowing across the cover behind her.Guest Review by Patricia Baxter.

If there is one word you could use to describe the penultimate volume of Yuriko Hara’s Cocoon Entwined it would be “change”.  While it is clear that these changes have been gradually building up since the series’ inciting incident of the elusive and mysterious Hoshimiya-san cutting her hair and leaving the school, Cocoon Entwined, Volume 5 showcases how the rest of the cast is now changing, or refusing to change, in response to how they’ve grown or stagnated.The volume begins with an interlude from Takagi-sensei, a teacher who has been present in the series since its first volume, and yet not given much of a role outside of providing exposition on Hoshimiya Girls’ Academy’s history.  We learn about her personal history as a student, watching her two onee-samas’ love flourish and abruptly end once the eldest of the pair graduates.  In the present, Takagi receives a letter from this eldest onee-sama: a wedding invitation revealing that she is engaged to a man.  Takagi’s story reinforces the classic formula of Class S narratives, where the love between two girls is merely “play-acting” love, a “practice” for adulthood where one enters “proper” heterosexual relationships, just as Takagi’s eldest onee-sama eventually does.  These stories are of bittersweet, ephemeral love, that cannot continue outside of the school walls.

Thankfully, Youko enters and disrupts this melancholic narrative, prompting Takagi-sensei to take up the pen, literally and metaphorically, to help re-write the story and end the cycle.  Chapter 30 highlights that while Class S narratives are an important baseline for many contemporary sapphic narratives, yuri or otherwise, they cannot continue as they have in the past.  As the world continues to grow and change, we need to be willing to foster a narrative environment where sapphic girls and women can find happiness together, rather than “grow up” and fall into society’s expectations of heteronormativity.

On the flip side, Ayane’s story shows the negative implications of change, specifically when it is done not out of personal desire, but to fill and fulfill a role for the sake of tradition.  Ayane’s obsession with Hoshimiya-san causes her to latch onto the void she left behind, wishing to shape herself into the “princess” of the Academy, and make Hana her prince.  Ayane’s current arc in the story shows just how damaging holding onto certain legacies can be, as she forces Hana, Hoshimiya, and herself to participate in a cycle that is causing them all grief.

In terms of visuals, Yuriko Hara continues to be one of the most gorgeous and striking comic artists I have ever read, not just in terms of her use of light and shadow, but her dynamic panelling and visual metaphors.  This volume in particular showcases Hara’s prowess in creating some truly haunting visuals, my favourite of which being the two-page spread of the seniors covered in veils before the Christmas party.  This feeling of dread permeates the entire book, even when the scenes are brightly lit, but thankfully the spark of hope, and change, remains true.

Volume 5 of Cocoon Entwined is an excellent book to read, building up on the tension that Yuriko Hara has established since the series’ inception, and continuing to showcase her prowess as a cartoonist and character writer.  While it is clearly setting the stage for the grand finale, it remains an engaging and engrossing read, asking important questions about the nature of the stories we tell and re-tell, and providing an insight into how we can change those narratives for the better.

Ratings:

Art: 10
Story: 9
Characters: 10
Service: 0 (unless you count gorgeous art as fanservice, which would make it a 10)
Yuri: 8, but it’s a bittersweet and, in some cases, more of a performative gesture than genuine desire
LGBTQ+: 2 (Chapter 30 addresses heteronormativity and societal expectations)

Overall: 9



Kunoichi Bettegumi Igarashi Satsuki, Volume 4 ( くノ一別手組ー五十嵐五月)

June 16th, 2024

A woman with long, dark hair in a red kimono wields a sword, while a blonde woman in  dark red western dress stands at her back. Behind them is the sail of a large ship.The problem with writing alternate history is that you have to figure out where things go, as china has discovered in Kunoichi Bettegumi Igarashi Satsuki series.

To understand this volume, it helps that you know of the Namamugi Incident, in which a British citizen refused to move off the road when the Satsuma daimyo’s party passed by and was beheaded for his failure to follow the law. Great Britain demanded monetary compensation, apologies and the deaths of the daimyo’s retainers or they would attack. The British Fleet bombed Kagoshima, but, as the New York Times reported at the time, lost the battle. Kagoshima was gravely injured, but the British fleet was pushed back. Both the captain and commander of the flagship the HMS Euralys were killed, probably in a gun accident. It’s also good to understand the Japanese political landscape of the Bakumatsu period (with which I am only just becoming familiar, due to this series and Oni to Yoake Yuzikiyo (鬼と夜明け 夕月夜) manga.

And, lastly, you might want to learn about the Boshin War in which the British allied themselves with their former enemy of Satsuma (because, let’s face it, a destabilized government is good for colonial powers.)

Okay, now that you know about all of this, you’ll understand that, in Kunoichi Bettegumi Igarashi Satsuki, Volume 4 ( くノ一別手組ー五十嵐五月), Yokohama is facing bombardment from that same fleet, and the same Admiral Kuper who flattened Kagoshima, is demanding Yokohama conform to his control. If you know anything about Japan, you’ll understand that in 1863, Kagoshima is to Yokohama as Miami is to New York City. That is to say, a place where people live and trade happens, but it’s not the same scale at all.

You probably expected me to follow up all of this with “now, forget all that” but, no, all of this is actually relevant to this final volume.

The deadline the British set to be paid compensation for the loathsome Richardson of the Namamugi Incident is approaching. Yokohama, in this story is responsible, not Satsuma. The Bakufu cannot raise the money, so Vlad offers to guarantee the loan. Only, the British have pressured all the banks in Japan to freeze her funds, so she hurries off to Shanghai, telling Satusuki to protect Scarlet, Admiral Kuper’s daughter. Presciently, as the ninja from the last volume Kaoru, Koharu, and their leader Takagi attack the now-fortified Kuper compound, with the intention of kidnapping Scarlet. Satsuki defeats them, but Admiral Kuper is not pleased. He is forced to ask Satsuki what she would like as a thank you and she asks only that the British do not start a war. Meanwhile, the British Parliament is debating that same war.

In Shanghai, Vlad drives up the price of coal and food for the British, and drives down the worth of the pound sterling, then returns to Yokohama where they now have the money to pay the British. Satsuki is given a position of honor at the front of the caravan for thw payment….but they know they will be attacked and so they are. In the ensuing battl,e Takagi and his counterpart Masumitsu fight Satsuki, and we learn that they are from Satsuma! Oh no! Satsuki wins the battle, but the war is still pending because….

…back in Yokohama, Admiral Kuper was convinced to stand down, but then the Shogun canceled the compensation payment and the British consulate gets word (from a slavering Prime Minister Gladstone) to get ready to bombard Yokohama. The Americans, French and Russians have already said they will join in if Britain starts a war.

Admiral Kuper’s daughter Scarlet climbs the main mast of the flagship and threatens to shoot herself if the fleet does not stand down. The Admiral tries to argue that it’s his duty, but she rounds on him about it’s pathetic that Britain picks on weaker countries and calls itself “strong.”

In the meantime, the British forces at Yodobashi bridge see the samurai protecting the compensation money being attacked – they defy orders to shoot, instead running to help Satsuki and the rest.

The money is paid and the war is averted. Satsuki is offered a position in Edo, which she turns down, preferring to stay in Yokohama. Clare is sacked from the English Embassy for passing information to Satsuki, but is given an official recommendation to Vlad from the Ambassador. Scarlet decides to study business and become Vlad’s protege. Satsuki will be able to be with Clare, Scarlet gets to be with Vlad and Vlad gets the kiss she made Satsuki promise to give her.

And in the end, as peace returns to Yokohama, everyone lives, presumably, happily ever after. Even the ninjas.

Some months later, in London, Prime Minister  Palmerstone and former  PM Russell are talking about Queen Victoria’s words, “Vlad is in Japan, leave it alone.” Palmerstone asks Russell to find out who the hell this ‘Vlad” is.

The End.

Ratings:

Art – Always never what I want illustrated. ^_^;
Story – I learned a lot, honestly.
Characters – There were a lot and many of them are terrible people in real life, but noble somehow here
Service – One kiss and not even the right couple
Yuri – 0 and 10. Clare and Satsuki are an item, but they have like 3 scenes together

Overall – 7 Very slow in places to tell the history, but I made it through the series!

In the author’s notes, we get some of the background for the fictionalized version of the real people of this story, and the admission that the author 1) likes vampire Yuri, 2) wanted to write Yuri about the Kunoichi Bettegumi and 3) did a lot of reading on Wikipedia to write this series, as I did reading this series. ^_^

This series ended up being one of those “absolutely historically accurate, except the bits that aren’t”kind of stories. After all this, my only complaint is that I wish this book spent a little more time on Vlad and Clare and Satsuki than Takagi and his ninjas. But I have to say that I learned a lot about the Bakamatsu period this year from reading manga and LNs so, that’s a net win. ^_^



Yuri Network News – (百合ネットワークニュース) – June 15, 2024

June 15th, 2024

A blue silhouette of a girl with a white flower in her hair, embracing the earth. Blue block letters read YNN Yuri Network News. Art by Lissa P. For Okazu.

Yuri Live Action

Stardust Telepath is getting a live-action TV drama! With the girls looking far more age-appropriate than the infantilized moe design of the original manga, it’s probably going to feel way more intimate and Yuri. Komatsu-san over at Crunchyroll News has the details and the trailer. You can follow the official account on Twitter.

YNN Staff Writer Matt Marcus wants you to know Ohsawa Yayoi has drawn an illustration of the characters for the live-action stage play of one of her short Yuri manga, Koko kara tsuredashite 〜 jigoku no HELL hen 〜
(ココから連れ出して 〜地獄のHELL変〜), which is running this weekend. You can read some of the comic in her posts on Twitter.

Via Comic Natalie, we have more cast announcements from the upcoming TV drama abased on Sal Jiang’s comic Ayaka-chan ha Hiroko-sempai ni Koishiteru (彩香ちゃんは弘子先輩に恋してる).

 

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Yuri Manga

Via Sr. YNN Correspondent Cryssoberl, Citrus+, Volume 7 is getting a special edition from Ichijinsha. You can find that and a lot of other limited goods on Ichijinsha’s Comic Yuri Hime Store. Okazu Staff Matt Marcus adds that Oshichalle is running a Citrus + lottery for special goods, as well.

 

Yuri Events

For folks in Japan, July will see the group art show for four Galette magazine artists in Kichioji, Tokyo. July 17-22, at the Sabineko Gallery, art by 4 Yuri artists, Hakamada Mera, Morinaga Milk, Yatosaki Haru and Yorita Miyuki will be displayed for the Shoujo to Shoujo ~ Yuri Sakka Yonnin Ten (百合作家4人展).

Girls Love Fest 41 will be happening on June 30, in the Keikyu Kamata/Ota Ward Industrial Plaza PiO, Ota Ward, Tokyo, once again. 41 shows, wow!

I spoke last night with the amazing folks at BlymeCon, Brazil’s BL convention, about the history of BL and Yuri. They are going to be subtitling my presentation in Portugese for the event later this summer!

I’ll be at AnimeNYC in the Artist Alley as a Guest. Join myself, TJ ‘Tiff’ Ferentini, Nicole Roderick, Jacqueline Hung as we talk about “The Rise of Queer Manga.”

And I will be doing a presentation of that same name for CitrusCon, also an online BL convention. It has been fantastic to me that so many BL cons are open now to discussion of Yuri, and LGBTQ+ manga and media. This is an incredible direction for fandom.

If you’d like to have your event or panel listed here – or you’d like me to speak at your event, let me know through the Yuricon Contact Form. ^_^

 

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Yuri Anime

Fujimoto Tatsuki’s Look Back anime movie premiered at the Annecy Film Festival and was “warmly received by the (very demanding) audience of the biggest animation festival in the world.” Matthieu Pinon has the report on ANN. I very much look forward to seeing this. In a room, by myself, with tissues pressed to my face as I bawl my head off. (T_T)

Once again, from Matt, The Executioner and Her Way of Life Premium Blu-Ray Box Set is shipping in August from Sentai Filmworks.

Cryssoberyl is back with news from Manga Mogura that the Shy anime will have a Season 2. Paul Chapman over at Crunchyroll News says that a Season 1 recap as functioning a trailer for the upcoming S2.

I’m still not entirely sure, but am willing to be convinced, that this will be Yuri, but CR News’ Darryl Harding reports on a key visual for Momentary Lily.

Komatsu-san also has the news that all 4 of the original cast members for Mahoutsukai PreCure will be returning to their roles in the Mahoutsukai PreCure Mirai Days sequel.  This appears to shift Mirai from midde school to college-aged. Clearly Toei has found it’s new cottage industry, aging up the Cures. ^_^

 

Yuri Doujinshi

Once again, via Matt, he’s discovered a Yuri doujishi circle, YURI HUB, on Melonbooks that includes Inui Ayu and a few other creators’ works. Some of these are available as digital downloads (for which you will need Melonbooks’ proprietary reader, but they make that available when you dl the doujinshi.) Most of these have sample pages in Japanese for you to check out.

 

Other News

While I was at Kinokuniya in Edgewater, NJ, I noticed this awesome Pride Month display. Note Arai Sumiko’s manga Kininatteru Hito Ga Otoko Janakatta, prominently displayed. I’ll get back to that in a second. So I walked in and the staffer (Hi Yaz!) commented that they were going to put my book on the display – they are down to the last copy. So, I signed it. ^_^ If you get there and it’s gone, ask them – they’ll order more.

Bookshelves at Kinokuniya bookstore in Edgewater, NJ, displaying LGBTQ, BL and Yuri manga and books for Pride month. Photo June 2024 by E. Friedman.

As my final thought, I want to note that Kininatteru Hito Ga Otoko Janakatta, Volumes 1 and 2 are displayed here, on an aisle endcap and on the shelves. Last night on Bluesky someone commented that they thought this series was about to become HUGE, with a live-action, and other media. Based on this store alone, I am inclined to agree. I have been going to this store (and all the other stores that have occupied this space, Sanseido and even Asahiya back in the day) for decades and I have only seen this level of saturation for massively popular Shonen Jump titles. This series is being primed to be huge. We’ll definitely keep our eyes peeled.

In the meantime, I am also running a Pride Month/2nd Birthday special on By Your Side” The First 100 Years of Yuri Anime and Manga. My book with a signed bookplate and an original art print by Rica Takshima! Limited supplies, so check it out if you can’t get to a Kinokuniya. ^_^

 

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Tsukiatte Agetemo Iikana, Volume 12 (付き合ってあげてもいいかな)

June 14th, 2024

A young woman with collar length black hair stands on a street of food stands, wearing a long red coat and white boots, holding a plastic bag. The frame is at an angle, as she looks back over her shoulder at us.Yesterday I said that I was reviewing two series this week that focused on complicated relationships. The first was Volume 9 of  Otona ni Nattemo, by Shimura Takako (available in English as Even Though We’re Adults from Seven Seas.) Today we are looking at the second of these, Tsukiatte Agetemo Iikana, by Tamifull, available as How Do We Relationship from Viz Media.

These two series have nothing in common on the surface, but they both have one similar feature – there are no “bad guys” here. None of the relationships we’re seeing are harmful or toxic. In both series, we’re simply seeing people learning that sometimes even love isn’t enough to make things work.

In slight contrast to Ayano and Akari’s story, the folks we’ve met in this series are college age, not expected to be settled or be “adult” quite yet. Both Miwa and Saeko are just facing down an upcoming graduation and entry into adult society. Interviews with prospective employers and a third of their lifetime wearing a black suit in an office is a daunting barrier for anyone, but they are persevering.

In Tsukiatte Agetemo Iikana, Volume 12 (付き合ってあげてもいいかな), both Saeko and Miwa are also facing the ends of their current relationships. They have great affection – even love – for their partners, but it’s just not working out. To break the tension, they go on a overnight together and face the question of whether their relationship is something that can be renewed or not – a subject of constant conversation on the Okazu Discord. ^_^ I have always been ambivalent about them getting back together, but while I think I might not be as opposed as I previously was, I’d still rather them move on.

Also, several years into any of this, these queer girls have somehow kind of avoided talking about being queer, or becoming queer adults and while I want to think it’s because they feel the world they are entering will accept them as they are, it’s more likely that these conversations are just not being made part of an otherwise honest and realistic story.

I am glad that current chapters of How Do We Relationship are available on Viz.com and the Viz app, so I can stay current with the translated volumes, but I find myself letting go of these characters. In fact, I am kind of hoping the series ends at graduation.  What will Volume 13 bring us? I…don’t know and am honestly not sure I care, which is a devastating thing to say about a series I have been following for 5 years and 12 volumes. We’ve seen the characters change and grow a lot over the years., but I’m no longer invested in their personal growth – the story has become the manga equivalent of coworker who only ever talks about their love life.

Ratings:

Art – 8
Story – 6
Characters – 7 They are trying so hard
Yuri – 8
Service – 7 CW on the end of the book for sexual assault survivors, again, but it does get addressed.

Overall – 6

There are no bad guys here, just complicated and sometimes messy relationships. That’s not enough to keep me coming back much longer.



Otona ni Nattemo, Volume 9 (おとなになっても)

June 13th, 2024

On an orange background, a woman with long blue hair, leaning on her arms, wearing an orange knit or patterned blouse, looks at us with a slight smile.I am currently reading two Japanese series about adults in complicated relationships. Both series are, in equal part, compelling and interesting and annoying as heck. Today we’re looking at Otona ni Nattemo, Volume 9 (おとなになっても) by Shimura Takako.

This story follows a (now-formerly) marries woman, Ayako, and a lesbian, Akari, as they meet, fall in love and come together again, as all the cracks in Ayako’s life come apart. In my review of Volume 8 is commented, “This continues to be such a low-key adult life Yuri that one can hardly think of it as barrelling down on the conclusion of the series…and yet, that is where we are. ” As Otona ni Nattemo, Volume 9 (おとなになっても) progresses, I’m constantly reminded of the other series, which is equally as complicated, but so much less “adult” somehow. I’ll talk about that one tomorrow.

Akari and Ayako are living together, at last. Things are good, or might be, as soon as they negotiate what any of this means to them. They haven’t really dated, and they know that. Did they do this too soon? Maybe, and they know that too, but are really going to try and make it work.

In the mean time, Ayako’s former students have gone from being children to tweens, in the way that children do. Two of them come to visit their former teacher, and marvel at her relationship with another woman. Ayako’s still uncomfortable answering questions, but Akari much less so.

Slowly, steadily, life goes on here. Things change, people change. Wataru has, maybe a new girlfriend, his mother visits the salon to see all these bit players who have completely shaken up her life. And Akari and Ayako find some quiet joy in the idea that they now can actually get to know one another. At last. Until next volume. ^_^

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 0
LGBTQ+ – 8, as Akari tries to be a good role-model for young women who may well need one.

Overall – 8

Volume 8 of Even Though We’re Adults is out in English and Otona ni Nattemo, Volume 10 is out in Japanese!