The Moon on a Rainy Night, Volume 3

February 13th, 2024

Two girls in bed, bathed in a golden glow. A girl with light-colored hair girl watches a dark-haired girl intensely as she sleeps.I’ve been filled with joy reading this series since my first glimpse at it almost two years ago. In my review of Volume 3 of Amayo no Tsuki, (雨夜の月) I said, “we get the last piece that would make this series perfect, IMHO. Whatever happens now, I am in the front row, rooting for everyone.”

Representation is a complex matter. It’s incredibly powerful just to see or read about someone who is like ourselves. In this way, this series has been fantastic, in providing excellent representation of disability and the way accommodation can function when people understand what it is intended to do. But in both narrative and real life the best representation is to actually meet someone like yourself and understand how their lives play out. In The Moon on a Rainy Night, Volume 3, Saki meets two critically important people.

First, she randomly meets a hair stylist in training who, quite disconcertingly, “sees” Saki, in a way that she is not yet ready to see herself. Akira’s gaydar absolutely pins Saki, and the younger woman is on the receiving end of a cautionary tale about first loves which makes her more self-conscious about the skinship between Kanon and herself. This becomes a bit of a crisis, as Kanon’s sister asks Saki to keep Kanon company one night. Kanon sleeps over and Saki is ecstatic and panicking all night long.

And then, Saki meets Kanon’s former friend, Ayano, who warns her about the price one pays as a caretaker. We can see right away that Ayano’s situation was different, and tragic on several levels –  but the warning Saki receives is, once again, reasonable. In both cases, she is seen and understood, and yet, not understood. Representation is complicated. Saki is going to have to figure this one out for herself…but not on her own, one hopes. Kuzushiro is pulling out all the stops here.

While translation, lettering and editing are all fantastic, technically, this book is a bit problematic. On the Okazu Discord, we recently had a discussion about the indifferent quality of recent print books from Yen and Kodansha. This book arrived with the cover cut too short for the pages. I might have assumed that was a fluke, but a second copy – from a different company – was the same. My last few volume of books from Yen have likewise been not-great quality. She Loves To Cook, She Loves To Eat had pages cut unevenly, and both publishers have had low-ink faded pages in recent volumes. As I type this, I notice the spine is not lined up correctly in one of the two copies I have. These are production issues that need to be addressed. I hope they’ll both improve their QA a bit this year.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – Really not
Yuri – 4, LGBTQ – 6

Overall – 9

Volume 3 put this series on my top ten lists for last year (and Volume 4 and Volume 5!) It’s a tremendously good series, with a LOT to say about life. If you’re not reading it yet, I really think you should.

Volume 6 of Amayo no Tsuki is out in Japanese and Volume 4 of The Moon on A Rainy Night, will be headed our way in April.

 



Yuri Network News – (百合ネットワークニュース) – February 10, 2024

February 10th, 2024

In blue silhouette, two women face each other. One wears a fedora and male-styled attire, one is in a dress and heels. Their body language is obscure - they may be dancing, or laughing or fighting. Art by Mari Kurisato for Okazu

Yuri Manga

Melonbooks is doing a promotion if you buy Volume 2 of Kininatteru Hito Ga Otoko Jankakatta (気になってる人が男じゃなかった), by Arai Sumiko, you will be entered into a drawing for a signed copy. Purchases must be made by February 18th.

Galette No. 29 (ガレット) is available for pre-order through Fantia until February 16. Galette web is taking 140 character descriptions for “a world of Yuri,” for a shorts in the magazine. This would be in Japanese, but if you think you can do it, why not take a stab at being part of the project!

Probably no one but me cares, but ANN’s Joana Cayanan says that Sukeban Deka Pretend (of which I have reviewed Volume 1,  and Volume 2  and read, but did not review, Volume 3) will end in March. It ‘s been a lot of fun. I think Wada-sensei might actually not have hated this one.

 

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Yuri Anime

Members of the Birdie Wing staff will be doing an event in Osaka on March 3. Luminaries include the producer, director, art director and other staff, and they will be doing an audience Q&A. I find this lingering of the anime very interesting. 

Of course, JP companies decided that since Birdie Wing went so well, we need more…golf anime. Sigh. So we’re getting the generic sounding Sorairo Utility. Undoubtedly there will be no Yuri, and it will be real golf, which just utterly misses the point of everything we loved about Birdie Wing. Check out Crystalyn Hodgkin’s article on ANN for details. It probably isn’t Yuri, but it will be cute girls doing things cutely.

For another cute girls doing things cutely anime, we may wish to check out Yoru no Kurage ha Oyogenai (夜のクラゲは泳げない) for which an anime is coming in April. Check out the trailer on Youtube and grab the details on ANN from Joanna Cayanan.

Also coming in April is the anime for Sasayakuyouni Koi wo Utau, which is both cute girls doing things cutely AND a darling Yuri romance. Some of the voice actors will be attending a preliminary screening of the anime. Details can be found at Comic Natalie.

 

Yuri VN

The demo of Love In A Bottle from Studio Élan is available now on Steam and Itchi.io. “Ankora the Love Demon only has a month to prove she can live on her own, but the CUTE SINGLE LADIES IN HER AREA might turn out to be a distraction! Can she settle down and find love?! “

 

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Other News

Alex Mateo has the news that a new Nogizaka46 Sailor Moon musical will be opening in Tokyo this spring. This is the first in four years and will feature performers from the 5th generation of the popular idol group.

Casey Baseel on Sora24 News, has the news that Sailor Moon art manhole covers will be appearing in selected sections of Tokyo that are related to the series.

Bluesky has opened to the public, please join the anime/manga/comics community there! There is a Yuri feed run by Seriously Sempai and my Yuri Resource List, which I am rebuilding slowly as folks move over. If you know of – or are! -an artist, writer, game dev, notable or company related to Yuri on Bluesky, contact me there, and let me know, so I can add it to my list!

Dafne Veliz take a look at The Tezuka Revue: How an all-woman theatre troupe influenced the Godfather of Manga,  for Anime Feminist.

YNN Correspondent Patrricia Baxter wants you to know that comic Influenca by Jade LFT Peters is available for pre-order now. This Short Box Comics Fair entry is a collection with a queer take on a zombie apocalypse.

 

If you’d like to support Yuri journalism and research, Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2024, is to raise our guest writers’ wages to above industry standard, which are too low!

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Become a part of the Yuri Network, by being a YNN Correspondent: Contact Us with any Yuri-related news you want to share with us.



Oni to Yoake Yuzikiyo (鬼と夜明け 夕月夜)

February 8th, 2024

Girls in Edo-period haori over school uniforms wield swordsWhile shopping in random bookstores in Japan at the end of last year I kept seeing books with girls in school uniforms wielding swords. I did that thing where I pick a thing up, then put it down, then pick it up at the next store…. ^_^; Eventually I found a copy of Volume 2 signed by the creator, so I nabbed both volumes there….neither of which were Volume 1. So please forgive me if I get some of this wrong. I am coming in to this story in the middle.

So, let’s start from the beginning. Oni to Yoake is a web series by Ikuta Hana, about the members of a school kendo club who have the reborn souls of important swordsmen of the Bakumatsu, which was the end of the Edo period. Bakumatsu Joshi Kousei Oni to Yoake, Volume 1 (幕末女子高生 鬼と夜明け) begins the story with two high school girls who have the reborn souls of Sakamoto Ryouma and Toshizo Hijikata. Sakamoto transfers to Koharu High School, where the spirits of late Edo period warriors attend school, and falls in love at first sight with Hijikata, a member of the public morals committee. However, love is strictly prohibited by school rules. Got that? Good…because that is not what I am reviewing today. I haven’t read that. ^_^ That series has a Volume 2 and a Volume 3 thus far. I picked up Volume 2 because it was signed. But based on how confused I was reading this volume, I guess I had better start with Volume 1. ^_^

Oh wait, but it gets better. The book we’re looking at today isn’t the main story…it’s a sequel!  Oni to Yoake Yuzikiyo (鬼と夜明け 夕月夜) follows girls from a different school who also have the souls of Bakamatsu Shinsengumi swordsmen (or the infamous Hitokiri, which we’ll get to in a bit.)

Todo Yoshino, who has the soul of Toudo Heisuke, and Okita Sou, who hold the soul of  Okita Souji,  are having problems in their already established relationship. And there is something disturbing going on at their high school.  The Shinsengumi vs. the Hitokiri is about to begin. 

You may be familiar with the Four Killers of the Bakamatsu, called the Hitokiri from Ruroni Kenshin. Kenshin is supposed to be a former Hitokiri, on the run from the Shinsengumi.

Also, I know next to nothing about the Bakumatsu period! So there’s that complication as well. Ask me how lost I was? I was “stay up hours reading Wikipedia entries on the Shinsegumi and the people in this book” lost. LOL But I think I have the gist now.

This volume depicts the problems between Yoshino and Sou, and a historical intermission in which their souls’ previous bearers met, along with the  the purge of deserters, and, according to the books synopsis, “the events leading up to the Ikedaya Incident.” This is followed by a  “BL edition of the story with further new-souls of long-dead people being paired, along with school festivals, Valentine’s Day, and events at the high school of Izumi Kazusa and Tsuji Kaneshige,” who are dating.

You can tell this is an online comic, as it is in full-color. The art is good enough and dynamic when it needs to be. I’m interested enough to go back to Volume 1 and see where this started  – and to have stayed up late reading articles on the Bakumatsu and Shinsengumi, because why not?*  The real-life people seem pretty awful, though, for all the reasons you might expect.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – The boys do a cross-dress cafe, if that’s for you. I preferred the girls in Edo period men’s clothes, in the flashback
Yuri – I have *no* idea. 6?

Overall – 8

There is also a second stand-alone volume,  Oni to Yoake  Zenya (鬼と夜明け前夜 )

Girls with swords and karma. Totally in my wheelhouse.

*But! When I came across the Neale Incident I was amazed to find that I knew about that from, of all places, the Kunoichi Bettegumi Igarashi Satsuki (くノ一別手組ー五十嵐五月 ) series! Who says that vampires aren’t good for anything? (Well, me, obviously.)

 



Kiss It Goodbye: The Complete Edition

February 7th, 2024

A girl in a green coat over a school uniform and a girl in a sports jacket . holding a bat, sit under the same tree, not looking at one another.by Matt Marcus, Staff Writer

“So, how did y’all meet?”

Ah, this old chestnut. You think back to the countless times you’ve told this story, each iteration becoming more and more exaggerated and elaborate. It’s not that you are trying to fool anyone, you’re just tired of going over the same beats time and time again so you’re trying to have a little fun with it. As you recount the story, you sneak glances at your partner, watching them roll their eyes as you enthusiastically assert how impressed they were over tales of your prowess at Magic the Gathering. OK, you were terrible at flirting, and still are. But no one else has to know that.

Kiss It Goodbye: The Complete Edition is the story of Aruka and Yukimi, two women in their mid-twenties. One night, a friend of theirs asks them to tell the story of how the two, who are of very different temperaments, got together. Aruka is a rough-and-tumble tomboy with a penchant for throwing fisticuffs while Yukimi is a studious girl with a love of fashion. They meet as children, grow close together up through middle school, have a falling out in high school, but reconnect before graduation. A couple years later they realize their feelings for each other and begin dating. The end!

If that were all there was to this story, you wouldn’t be reading this review. There are a handful of things that seem like small pieces but add to a story that reads better than its synopsis. The framing device adds so much character to the telling. Aruka tends to puff herself up only to be brought back down to earth by Yukimi. They talk honestly about their feelings and how they evolved over time. It’s a nice way to spice up what could be a pretty standard story and doing so in a way that allows the characters to express themselves.

There are other unique factors. I like how instead of opting to settle for maximum drama, the big turning points in Aruka and Yukimi’s relationship are worked through in awkward, vulnerable conversations. OK, there is definitely SOME drama, but plenty of the development happens beyond that. I like that the two are not the same orientation: Aruka is an allosexual lesbian however Yukimki is biromantic and asexual. It’s rare to see a pairing to see partners with different needs manage to work things out. The two even have different socioeconomic class and career backgrounds.

Although this story takes place in Japan, it is drawn by Ticcy, who hails from Italy. I find it is interesting to look at a work that borrows heavily from manga but is shown through a different cultural lens, which puts this book in the same bucket as the works that have been reviewed on the site such as Alter Ego, Just Friends, and Mahou Josei Chimaka. All of these works vary in how much they borrow from manga, with Kiss It Goodbye sitting somewhere between the latter two in that the setting is clearly influenced by Japanese media but the art, paneling, and dialogue have a more Western flavor.

What drew me in right away was the art. The character designs are clean and expressive, there are plenty of detailed backgrounds, and the whole comic is rendered in beautiful color. The whole package The series originally published on the online comics platforms Webtoon and Tapas, but was adapted into print through the publisher Hiveworks (who coincidentally also published Chimaka) after a successful Kickstarter in 2022, which I backed. It’s one of the nicer printings on my growing yuri shelf, in a large format with stout glossy pages. Thankfully, physical copies are now publicly available on Hivework’s website along with an eBook option. KIG was released typically one page at a time, but thankfully it was storyboarded in such a way that you would not be able to tell its webcomic origins in print form. (Also, regular GL webcomic readers may spot a familiar face or two in some crowd shots.)

I would say the biggest criticism I have is false advertising. See, this is called the Complete Edition, however there is more comic out there! Ticcy has written two additional bonus chapters to date that are not collected here and supposedly there is more to come down the road. The book also lacks any additional commentary that came through Q&A segments Ticcy posted during the comic’s run that help flesh out some details on the characters that didn’t make it into the main body of the story. I would suggest anyone who picks up the book also go find the comic online in order to get that extra content. Ticcy has hinted at the possibility of a second book down the road, but at the moment there are no plans for release and new bonus chapters have been on a hiatus as she focuses on her newer series Dragon’s Mercenary that she posts on her Patreon page.

Really, the biggest sin is that there is criminally little time spent with Aruka’s softball club-cum-girl gang, especially their leader Saori. Would love to see more of them in a future bonus chapter. Did I mention there is a softball club that beats on street toughs? Yeah, gimme more of that.

Ratings:

Art – 10 Really gorgeous front-to-back, especially in print
Story – 8 The flourishes in the delivery make an otherwise standard story stand out
Characters – 8 Aruka and Yukimi bounce off each other well in both the comedic and dramatic moments
Service – 1 Would be higher with more girl gang escapades
Yuri – 10 / LGBTQ – 9 Would like to see more atypical identity pairings like these two

Overall – 9 It is high! It is far! It is…GONE!

I met my wife on New Year’s Eve having just driven 6 hours that day to move to a new city without a job, an apartment, or much of a plan to get either. If you ask nicely, I may tell you the rest of the story someday.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network. Any tales of his exploits as a teenage delinquent have been greatly fabricated.



Tsukiatte Agetemo Iikana, Volume 11 ( 付き合ってあげてもいいかな)

February 6th, 2024

A woman with long brown hair holding a red guitar smiles broadly, a younger woman with her hair tied in a bow, holding a green guitar sulks.In my review of Volume 10, I said, “I’m ready for something to lighten up.” Welp, Volume 11 of Tsukiatte Agetemo Iikana ( 付き合ってあげてもいいかな) by Tamifull is not that volume. And here’s the thing…not every relationship people have is a good one or the “right” one. Sometimes things just don’t work out, even if you like someone a lot.

Miwa is trying to understand Tamaki, and Saeko is trying to understand Yuria, and in both cases, they really need to sit down and have it out with their partners. And, they do…but is it enough? For Saeko and Yuria, maybe, but the resolution may not be to stay together. But something is festering into an ugly thing between Miwa and Tamaki, and I really cannot understand what it is at all. I get not being sexually compatible, but this doesn’t even feel like that anymore, although their incompatibility is the vehicle for it.

When we start to hear about sexual mismatches among others in the band, I admit, I checked out of the story. If absolutely nobody in this story is having a good time, why am I reading it?

And then the volume ends in a very bad place that makes shockingly little sense, except as a way to flog how much Tamaki and Miwa are not in sync, but in the grossest, most appalling way. I think, at this point, I don’t really care what happens to anyone in this story, except that I hope they graduate and move on, quickly. This is how we kill perfectly decent relationships.

Again, the best part of the volume is how Saeko and Miwa have become very good friends to one another. There has been some discussion on the Okazu discord, about whether the two of them might get back together, but I am firmly in the “I hope not” camp on that. Lovers can be important, but friends are even more so. Also very good was Tamaki’s band performing live, to very positive reception. It’s just that everything after that was ugh. ^_^;

Ratings:

Art – 8
Story – 6
Characters – 8
Yuri – 8
Service – 7 CW on the end of the book for sexual assault survivors

Overall – 6

Volume 12 is out this month and it appears that it is going exactly where you expect it will. I sincerely hope that the end game here is not Saeko and Miwa getting back together.